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ISBN: 0582401828
Language: English
Publisher: n/a
Category: Thrillers & Suspense
Subcategory: Unfathomable
Rating: 4.1
Votes: 600
Size Fb2: 1525 kb
Size ePub: 1728 kb
Size Djvu: 1663 kb
Other formats: txt lit docx doc


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I always find these books interesting, because you can see where they changed the dialogue from the original script. The dialogue isn’t as funny and entertaining as it is in the movie. Gerard is more of a hard ass. LOL. There is even an error in the book. When Richard Kimble tells Gerard that he didn’t kill his wife, in the movie, Gerard says I know, it’s kind of crazy. I stopped my werewolf craze just long enough to read The Fugitive. The reason of course, is because I love the movie so much.

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Part of the "Penguin Active Reading" series, this book provides a range of integrated activities designed to develop . Can Rudy, an inexperienced student, really give them any hope? This Pack contains a Book and MP3. Кеннет Грэм 2008. Wind in the Willows: Level 2 (+ CD).

Part of the "Penguin Active Reading" series, this book provides a range of integrated activities designed to develop reading skills and consolidate vocabulary, and offers personalised project work. Тед Эллиотт, Терри Россио 2009. Pirates of the Caribbean at World's End: Level 3 (+ CD). Английский язык. Lord Cutler Beckett thinks that pirates are very bad for business.

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Penguin Readers 3: The Fugitive

Penguin Readers 3: The Fugitive. As the Crow Flies (comics) - This article is about a comic story arc.

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The Fugitive (Penguin Readers) Paperback. After seeing the film a few times I read the book. It's been awhile since I saw the film so I don't remember everything that took place but still an interesting story.

Comments:

Felolune
After seeing the film a few times I read the book . It's been awhile since I saw the film so I don't remember everything that took place but still an
interesting story. Hard to put down.
Skunk Black
It was my good fortune to discover and read this book many years ago. I recently bought fresh copies to share with others.

Other reviewers for Amazon see certain aspects of this novel as faults while I see them as virtues.

Mary Whipple's very useful comments remindeded me of the distinctions in tone with which Pramoedya characterizes conversations between the different players. Mary, if you can speak to your mother-in-law as informally, comfortably and confidently as you speak to your mother (is that a bad example) you are rare, even in America, or long married. Consider the traditional culture of Indonesia half a century ago. I think Pramoedya is telling us something by the way he says something even more than by what he says.

S. Kelly, who seems forced to be in Indonesia and forced to read Pramoedya, is in my heaven. I was in Jakarta on a quick business trip, two decades ago. When I came home I told my wife I had fallen in love with a country I hardly knew. Pramoedya helps me maintain the affair. Consider "The Fugitive" in the context of the land that brought the world the shadow play.... You might like "The Girl from the Coast."

For those with a hearty appetite I recommend the Buru Quartet - four novels "written" through oral recitation and memorization committed to print once the author was out of prison. This man is a literary giant and a political hero.

Please note that this slim paperback is way overpriced at the publisher's list price. I got my new copy from amazingsalebooks, an Amazon seller, for $9.35 including shipping. The pristine, new copy arrived in two days by USPS. I am only allowed to give a paperback copy to one of my former students who finds himself a prisoner at juvenile hall. My new hardcover copy (also pristine) cost less than the paperback!
Siralune
Pramoedya is a great story teller and poet: This book is a pleasure to read, the pages keep turning; Pramoedya creates a suspenseful story that is interesting from start to finish; he does not bog the reader down with unnecessary fluff; is very concise yet very descriptive; the characters are compelling and enigmatic; the descriptive language flows with great fluency and was masterfully translated; the dialogue keeps the reader wanting to know 'what's next?'
MARK BEN FORD
Excellent!!!
Nilarius
Published in Indonesia in 1950, this very early novel by Indonesia's foremost author focuses on the final days of the Japanese occupation during World War II. The main character, Hardo, and two soldier friends had aided the Japanese in ousting the Dutch colonials who had ruled the country for years, their ultimate goal being the independence of the country. After becoming disillusioned by the Japanese, they had attempted a coup, only to have it fail because of betrayal by one of the men. The novel focuses on Hardo, running for his life ever since, in three encounters he has while disguised as a beggar, each encounter showcasing the conflicting loyalties within the country, and developing the suspense.

Though the novel is intriguing and its powerful descriptions of nature are absolutely stunning, it is strangely inconsistent in tone and feels stylistically fragmented. Hardo's first encounter, with his future father-in-law, is positively operatic, resembling a duet between wooden characters, their dueling voices swirling around almost like a canon. "Come to the house," the traitorous father-in-law says, echoing the invitation more than fifteen times, offering Hardo, disguised as a beggar, a variety of enticements, each of which he refuses. In the second encounter, with his own father, the operatic style dies, more communication takes place, and a narrative emerges. The third section, a meeting with co-conspirator Dipo, several others involved in the rebellion, Japanese officers, and the father-in-law is a fully developed theatrical scene, tying together the narrative and themes through dialogue.

With the novel's structure echoing a variety of genres and its characters subordinated to theme, I found it difficult to become emotionally involved with the characters themselves, however much I might have been sympathetic to their plight and fascinated by the subject matter. The novel clearly presages the greatness which comes to fruition in Pramoedya's later tetralogy, This Earth of Mankind, however, and I highly recommend it as an introduction to his more mature work. Mary Whipple
Skrimpak
A short novel by the classic Indonesian author. Like most of his other work, it focuses on the wars of his country fighting first for independence from the Dutch colonial occupiers and then from the Japanese after their invasion in WW II. Our hero in the book revolted against the Japanese and is now a hunted fugitive disguised as a beggar. So far he has survived several manhunts but just before the defeat of the Japanese he is captured while visiting his home area. His father and fiancée are being held as hostages pending his capture. We are told in the introduction that the book is structured as a Javanese shadow-box puppet play. It has a repetitive negative theme to each of its four chapters: “No, I will not go home; no I am not your son, he lies to his elderly father; no I am not sentimental in still having faith in my childhood friend who betrayed our trust, and no, his fiancée says, I don’t know where the fugitive is.” Like the author’s other work, including All That is Gone, which I have reviewed, the main theme is the human toll of warfare.
Yggdi
Although in some parts it follows the movie closely in others it goes totally off the rails. The author changes Gerard's classic "I don't care" line to "not my problem" and then he twice repeats the original line from the movie, as if he didn't change it at all! It gives some insight into Gerard's team but it has lost the feel the movie has. If you loved the movie, forget the book.

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