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by Josephine Tey

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ISBN: 0745189113
Author: Josephine Tey
Language: English
Publisher: Chivers Large print (Chivers, Windsor, Paragon & C; Large Print Ed edition (June 1997)
Pages: 250
Category: Mystery
Subcategory: Unfathomable
Rating: 4.2
Votes: 386
Size Fb2: 1342 kb
Size ePub: 1267 kb
Size Djvu: 1432 kb
Other formats: docx lrf txt lit


The Daughter of Time is a 1951 detective novel by Josephine Tey, concerning a modern police officer's investigation into the alleged crimes of King Richard III of England

The Daughter of Time is a 1951 detective novel by Josephine Tey, concerning a modern police officer's investigation into the alleged crimes of King Richard III of England. It was the last book Tey published in her lifetime, shortly before her death. In 1990 it was voted number one in The Top 100 Crime Novels of All Time list compiled by the British Crime Writers' Association. In 1995 it was voted number four in The Top 100 Mystery Novels of All Time list compiled by the Mystery Writers of America.

The Daughter of Time is a 1951 detective novel by Josephine Tey, concerning a modern police officer's investigation into the alleged crimes of King Richard III of England. It was the last book Tey published in her lifetime.

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The Daughter of Time book

The Daughter of Time book. It comes in the form of a picture, a print of this painting of King Richard III: Grant studies the painting and thinks a guy with such a lovable face just couldn’t have done those terrible things (and given his background as a detective, Grant knows faces). Josephine Tey and her two main characters, Alan Grant and Brent Carradine, take a forensic, Scotland Yard approach to the crime, and come up with the conclusion that most of the history books are wrong.

Читать онлайн The Daughter of Time.

She was born in Inverness, and attended a physical training college in Birmingham before becoming a teacher. Читать онлайн The Daughter of Time. Josephine Tey. The daughter of time. Truth is the Daughter of Time, not of Authority’.

This page contains details about the Fiction book The Daughter of Time by Josephine Tey . The Daughter of Time (Thorndike Press Large Print Peer Picks).

This page contains details about the Fiction book The Daughter of Time by Josephine Tey published in 1951. This book is the 2114th greatest Fiction book of all time as determined by thegreatestbooks. The Daughter of Time is an ingeniously plotted, beautifully written, and suspenseful tale, a supreme achievement from one of mystery writing’s most gifted masters.

She had large soft hands and large soft cow's eyes and she always looked very sorry for you, but the slightest physical exertion set her breathing like a suction-pump

She had large soft hands and large soft cow's eyes and she always looked very sorry for you, but the slightest physical exertion set her breathing like a suction-pump.

The Daughter of Time. Josephine Tey, Alex Bell. Scotland has large monuments to two women martyrs drowned for their faith, in spite of the fact that they weren't drowned at all and neither was a martyr anyway. Authors: Josephine Tey, Alex Bell. They were convicted of treason – fifth column work for the projected invasion from Holland, I think. MoreLess Show More Show Less.

Publication date 22 Nov 1984. Publication City/Country Bath, United Kingdom. ISBN13 9780851192932.

ILLUSTRATED WITH MORE THAN TEN IMAGES RELEVANT TO THE STORY The Daughter of Time is a 1951 detective novel by Josephine Tey, concerning a modern police officer's investigation into the alleged crimes of King Richard III of England. It was the last book Tey published in her lifetime, shortly before her death. The "Daughter of Time" title is a quotation from the work of Sir Francis Bacon: "Truth is the daughter of time, not of authority." Alan Grant, Scotland Yard Inspector, is feeling bored while confined to bed in hospital with a broken leg. His actress friend, Marta Hallard, suggests that he should amuse himself by researching a historical mystery. She brings him some pictures of historical characters, aware of Grant's interest in human faces. The portrait of King Richard III intrigues him. He prides himself on being able to read a person's character from his appearance and King Richard seems to him a gentle, kind and wise man. Why is everyone so sure that he was a cruel murderer? With the help of other friends and acquaintances, Grant investigates Richard's life and the case of the Princes in the Tower, testing out his theories on the doctors and nurses who attend to him. Grant spends weeks pondering historical information and documents with the help of Brent Carradine, a likeable young American researcher for the British Museum. Using his detective's logic, he concludes that the claim of Richard being a murderer is a fabrication of Tudor propaganda, as is the popular image of the King as a monstrous hunchback.. Josephine Tey was the adopted pen name of Mackintosh who was born in Inverness to Colin Mackintosh and Josephine in 1896. She attended Inverness Royal Academy and then Anstey Physical Training College in Birmingham. She taught physical training at various schools in England and Scotland, but in 1926, she had to return to Inverness to care for her invalid father and began her career as a writer. Josephine was her mother's first name and Tey was the surname of an English grandmother. Josephine Tey died on February 13, 1952 Mackintosh's best-known books were written under the name of Josephine Tey. Scotland Yard Inspector Alan Grant is the hero in five of her mystery novels and appears in her sixth novel, The Franchise Affair, as a minor character. In 1990, the British-based Crime Writers' Association selected The Daughter of Time as the greatest mystery novel of all time; The Franchise Affair was 11th on the same list of 100 books. The Daughter of Time was the last of Tey's books published during her lifetime. A further crime novel, The Singing Sands, was found in her papers and published posthumously. About a dozen one-act plays and another dozen full-length plays were written under the name of Gordon Daviot. How she chose the name of Gordon is unknown, but Daviot was the name of a scenic locale near Inverness where she had spent many happy holidays with her family. Only four of her plays were produced during her lifetime. Richard of Bordeaux was particularly successful, running for 14 months and making a household name of its young leading man and director, John Gielgud. (Humorously, Tey writes of Inspector Alan Grant that "he had in his youth seen Richard of Bordeaux; four times he had seen it".Proceeds from Tey's estate, including royalties from her books, were assigned to the National Trust.

Comments:

Andromathris
Recently, a popular mystery writer of today called this the "greatest mystery novel of all time." Ms. Tey died in 1952 at the age of 56, so right away,. we know this is a much different mystery than we're used to reading these days.

By today's standards, it starts slowly, The main character, Recuperating from an injury received during a chase after a thug, Inspector Alan Grant is flat on his back throughout the novel. Two or three other characters drop in from time to time to bring him information that he needs to solve the crime. Which, by the way, occurred in the late 15th century. In short, the book has some of the characteristics that fiction-writing advisors tell aspiring authors never to do. The inciting incident is the gift of a picture of a long dead king, Richard the Third, for example.
So it's not a book for everyone, OK? Alan Grant becomes intrigued with the portrait, and decides to find out if Richard really did murder his two young nephews. For hundreds of years history has said he did it. (Or had it done.) But are the historians right?

I've loved this novel most of my reading life. Try it. If you're an aspiring writer, you'll learn something. If you like being challenged, you'll learn something about the way history becomes fact. And if you're a general reader of mysteries, this one is a gem.
Rolorel
I first read The Daughter of Time long ago in my callow youth. I can't recall much about that first reading experience. I don't think it made much of an impression on me. I was not well-versed in English history and knew little of the Plantagenets, the Wars of the Roses, or the Tudors except what I had gleaned from Shakespeare, so there was very little background for my understanding of what Josephine Tey was doing with this novel.

Since that long ago time, I have read dozens of books about that period of history, especially during the past couple of years when it has been something of an obsession of mine. The result is that I'm now much better equipped to follow Tey's plot and the reasoning of her protagonist Inspector Alan Grant.

When I ran across a reference to her book recently, I was intrigued and decided it was time to read it again. I'm very glad that I did.

The plot of the book is that Inspector Alan Grant has been seriously injured in a fall while chasing a miscreant and is now bedridden in the hospital with a broken leg and injuries to his spine. He must lie flat on his back. He is extremely bored.

In order to divert him, his friends have been bringing him piles of books, but he can't get interested in them. One of his friends, an actress, knowing of his fascination with faces, brings him pictures of several historical figures who have mysteries attached to them. Most of the pictures do not pique his interest, but finally one of them does capture his imagination. It is a copy of the famous portrait of Richard III.

Grant knows little about Richard III except what he remembers from Shakespeare which is, basically, that he killed his two nephews, the "Princes in the Tower," and that he died on Bosworth Field calling for a horse, but, as a student of faces and one whose career depends on being able to read faces, he begins to doubt, while studying the portrait of Richard, that this man was a murderer. He determines to conduct an investigation, four hundred years after the fact, to determine the accuracy of the charges against the man.

His actress friend is delighted to have found something that will occupy Grant's mind and distract him from his predicament. What he needs is someone to do research for him and she happens to know just the person, a young American friend of hers who has an interest in history. Soon he is introduced to Brent Carradine and the two form an alliance and a working partnership in search of the truth.

The two pore over history books and historical accounts of events of the late 15th century, but they soon discover that the most famous accounts of the period - that of Sir Thomas More, for example - were not contemporaneous but were actually written later, during the Tudor period. Since the Tudors were mortal enemies of Richard, can their accounts really be trusted? Grant, the consummate detective, doesn't think so.

At length, the two investigators find that none of the reports that were actually written during the time of Richard's life refer to the death of the two princes and that there is evidence that the mother of the two remained in a friendly relationship with Richard and that her daughters continued to attend events at his court. None of that seems to be the action of a mother or a family who considered Richard to be the murderer of their sons and brothers. Grant and Carradine come to the conclusion that the princes were, in fact, still alive in the Tower throughout Richard's reign.

So, what happened to them? Were they killed, and, if so, who killed them?

Grant decides to follow the clues, as he would in any murder investigation, to try to uncover the culprit. The first question he asks is, who stood to gain from the princes' death?

It wouldn't have been Richard, since after his brother Edward IV's death, Parliament had declared his children with Elizabeth Woodville as illegitimate because there had been an earlier, undissolved marriage with another woman. But there were other children, those of his brother George, who stood ahead of Richard in line to become king, and yet those children continued to live and thrive.

After Richard's death, Henry VII, the first of the Tudors, rescinded all of that and made the Woodville children legitimate again because he wished to marry the oldest of them, the young Elizabeth. In short order, he also sent the children's mother (his mother-in-law) to a convent to live out her days. He also began to systematically rid the government and the aristocracy of the various Woodville relatives who had permeated it during the Yorkist reigns. No mention is made of the princes.

Grant forms the theory that it was Henry who caused the princes to be killed since, by the order of succession, the older one would have been legitimately seen as king and would have provided a rallying point for his enemies. He sent the princes' mother to a convent so that she would be out of the way and have no means of protesting. He then purged other members of the extensive family.

Tey, through Grant, lays out a very plausible case for her theory. She was not the only one who believed Richard innocent. Throughout the more than 450 years since Richard lived and died, there have been loyal groups in Britain who have continued to believe that he had been falsely maligned and to work to rehabilitate his reputation. Tey's book, which was published in 1951, influenced that movement and convinced many to join it. Such has been the far-reaching influence of this unique murder mystery.

This was a work of fiction, of course, and yet it offered a fascinating journey through English history. It also gives us a study of a high-minded obsession, as well, as Grant becomes thoroughly convinced of the falsity of the charge against the accused and he is determined to prove him innocent and bring the guilty to justice. It is, after all, what he does.

Some have noted the obvious relationship between this story and Alfred Hitchcock's Rear Window. Since the movie came a few years after the publication of the popular book, it is possible that Hitchcock was influenced by it. Certainly, the obsession of a wheelchair-bound James Stewart with the activities of his neighbors that he is able to view from his window is comparable to the obsession of the bedridden Grant with the idea of balancing the scales of history.

Most likely we will never know with one hundred percent certainty what happened in the Tower of London long ago, but Josephine Tey through Alan Grant at least makes a strong argument for reasonable doubt about the guilt of Richard III and she makes us hungry to read more about that period. Yes, my obsession continues.

Sixty-four years have passed since the publication of this book, which has been voted number one among the top 100 British murder mysteries, and archaeology has added to Richard's story. A few years ago, his remains were found near Bosworth Field where he had been hastily buried after the battle. After excavation and confirmation of his identity, those remains were reburied with full honors and great ceremony at Leicester Cathedral, with the service conducted by the Archbishop of Canterbury and royalty in attendance. Truth may be the daughter of time, but irony is its son.
Modred
This is an amazing book.

Ms Tey has created Scotland Yard Inspector Grant. He has been injured and is in bed, flat on his back in a hospital.

He has named his two nurses The Midget and The Amazon. He has memorized the cracks on the ceiling of his room. In short, he is bored.

His good friend, Marta, brings him a group of pictures, among the pictures is a picture of Richard III. Immediately, Grant wants to investigate. That is his nature. He looks at the face and finds it difficult to believe this man could have murdered two little boys.

Marta sends Grant a “wooly lamb”. The wooly lamb is Brent Carradine, a young American man who is doing research at the British Museum. Brent is just the person to become the searcher on Grant's behalf. Both men have huge curiosity for facts and research. Each of them come to the facts from different areas. Between the two of them they can figure out nearly anything.

This book was amazing for me.

It is a mystery, it is history, it is a description of two men who are compulsive about finding answers to questions. Both of them want solutions even if the question is over 500 years old.

This is the first book I have read by Ms Tey, and it will not be the last.

She has created a story which introduces the reader to British history in such a manner that the people from centuries ago are very real people. We see them as human beings living lives that would create history. We see motivations and personalities and people who are not necessarily very nice.

But, I guess power does not necessarily come with nice attached.

When all is said and done, it is evident that Henry VII was a sneak and Richard III has been accused of crimes that were against his very nature.

I will look at history with a jaundiced eye and doubt will be my middle name.

If you are looking for a book that is filled with amazing information and a mystery that is as fresh and new as anything that happened in the last week.

Thank you Ms Tey, for being such a really amazing author.

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