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Download Alternative Scriptwriting, Second Edition: Writing Beyond the Rules fb2, epub

by Jeff Rush,Ken Dancyger

Download Alternative Scriptwriting, Second Edition: Writing Beyond the Rules fb2, epub

ISBN: 0240802187
Author: Jeff Rush,Ken Dancyger
Language: English
Publisher: Focal Press; 2 edition (July 12, 1995)
Pages: 300
Category: Humanities
Subcategory: Other
Rating: 4.6
Votes: 903
Size Fb2: 1528 kb
Size ePub: 1782 kb
Size Djvu: 1262 kb
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What Alternative Scriptwriting by Ken Dancyger and Jeff Rush does is to show the rules so you can break them

What Alternative Scriptwriting by Ken Dancyger and Jeff Rush does is to show the rules so you can break them. They give a detailed breakdown of 14 genres and how they use the individual building blocks before discussing such things as how to: mix and match genres and what works and what doesn't; change structures so 4 Act or two Act stories; reframe the roles of passive/ active characters; and use tone or narrative voice.

by Ken Dancyger & Jeff Rush. Sorrow prepares you for joy. It violently sweeps everything out of your house, so that new joy can find space to enter. answering interview problems by writing code on paper first, and then typing answering questions Cracking the Coding. 1,180 Pages·2014·540 KB·13,586 Downloads·New!

Ken Dancyger, Jeff Rush.

Ken Dancyger, Jeff Rush. Going beyond the conventional three act structure and exploring more inventive approaches, Alternative Scriptwriting challenges readers to take creative risks with genre, tone, character, and structure.

Current writing projects include a book about Genre Scriptwriting, a book entitled The Greatest: Hollywood in 1939, a personal memoir, The War That Never Ended and Murder Not Permitted, his first novel. Books by Ken Dancyger.

Alternative Scriptwriting: Beyond the Hollywood Formula (Paperback). Ken Dancyger (author), Jeff Rush (author). aims to challenge its readers to create writing that is exceptional. Paperback 486 Pages, Published: 08/02/2013. While no book can possibly replace your own creative vision, as a resource it's thorough and is a good way to help yourself consider alternative ideas.

This book substantially broadens every screenwriters' -creative horizons. David Howard, USC screenwriting professor and author of The Tools of Screenwriting and How to Build a Great Screenplay. Читать pdf. Rush D. Robinett III, David G. Wilson - Nonlinear Power Flow Control Design: Utilizing Exergy, Entropy, Static and Dynamic Stability, and Lyapunov Analysis. Wilson. Wilson, G. Richard Eisler, John E. Hurtado - Applied dynamic programming for optimization of dynamical systems. Learn the rules of scriptwriting, and then how to successfully break them! Unlike other screenwriting books, this unique guide pushes you to challenge yourself and break free of tired, formulaic writing-bending or breaking the rules of storytelling as we know them. Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. These contemporary examples and case studies demonstrate what works, what doesn't, and why.

Many screenwriters write for more than one medium. Steve Tesich (Breaking Away) and Harold Pinter (The Handmaid’s Tale) write for both theater and film

Stay ahead with the world's most comprehensive technology and business learning platform. With Safari, you learn the way you learn best. Many screenwriters write for more than one medium. Steve Tesich (Breaking Away) and Harold Pinter (The Handmaid’s Tale) write for both theater and film. David Hare (Strapless), William Goldman (Butch Cassidy and the Sundance Kid), and John Sayles.

In a field where novelty often equals commercial success, scriptwriters often strive to create screenplays that are innovative and exceptional. Going beyond the conventional three-act structure and exploring more inventive approaches, Alternative Scriptwriting, second edition, challenges readers to take creative risks with genre, tone, character and structure. Examples and case studies demonstrate what works, what doesn't and why, and exercises encourage writers to explore new ways of viewing their work and test the limits of their skills. Ken Dancyger has taught screenwriting for twenty years and is head of undergraduate studies for the Department of Film and Television at New York University. He has written numerous dramas and documentaries for radio and television. Jeff Rush is a professor in the Department of Radio, TV and Film at Temple University. He has written numerous screenplays. Includes updated case studies and exercises.A wide variety of film examples are used.Goes beyond the standard methods of screenwriting

Comments:

Bev
great!
Kea
I agree with most of the reviews here that the book contains some useful approaches to screenwriting beyond the three-act orthodoxy.

The writing, however, often distracts from the content.

The structure of the book is disorganized and ad hoc to the extent that it encourages skimming rather than close study.

Worse, however, is that the writing is often academic, sometimes theoretical, and always soul-less. The authors appear to want to curry favor with the their peers in the teachers lounge than educate students. Occasionally the writing is downright atrocious. The authors employ, for instance, the frightful alternating of "he" and "she" -- a surrender to politically correct pieties that permeate the work as a whole. Ironic for a book devoted to the spirit of independent writing.
Purestone
It is an excellent book.
It is very easy to read and comprehensive.
I like it, I recommend this book.
I_LOVE_228
I already had the earlier edition of this book, but bought the update, thinking that it could even help my writing by osmosis. My god, I was right. This is not a book to be taken lightly, nor is it a "new" edition by virtue of adding a couple of new words, an updated comment here and there. These authors take their task very seiously, including taking to heart comments they'd received about the first edition, and making sweeping and important changes for this new version. Buy this book. It couldn't hurt. It could change your life. At the very least, it will give you a new list of rentals for the video store. And you'll understand why you like them.
interactive man
I like reading books on screenwriting as they teach you how to install the skeleton of story...have three acts, a clear premise based on conflict for the main character, someone or thing to fight against and you are away once you have chosen the genre. So in a western it's the lone flawed hero against the cattle baron struggling to find his place between the call of the wild and the lure of the town as he fights his way to the big showdown before riding off in the sunset. Or in a horror film, it's the lone victim and her family/friends trapped in the house on the hill fighting against evil sub-human monster who kills indiscriminately until finally defeat as the dawn of a new day breaks.

What Alternative Scriptwriting by Ken Dancyger and Jeff Rush does is to show the rules so you can break them. They give a detailed breakdown of 14 genres and how they use the individual building blocks before discussing such things as how to:

* mix and match genres and what works and what doesn't;
* change structures so 4 Act or two Act stories;
* reframe the roles of passive/ active characters; and
* use tone or narrative voice.

Its not done in a dry way as the discussion is linked to case studies or comparisons of different Directors and international styles but it does help if you have seen the films or have them on DVD! The important thing is that they argue that screenwriting is part of the tradition of storytelling/writing and so need to draw on the full range. Its not a book to read if you want a how to layout a film script but it is one if you want to explore the narrative force of a book.

An interesting alternative take on genres and the film narrative is The Writers Journey by Christopher Vogler. He explores how the mythic Hero's journey shapes plots and characterisation and so genres are merely different aspects of the journey. Again the rule is know the rules to break them.

So read both and enjoy the Saturday movie more but also check why the book works or doesn't
Duktilar
First off, let me just say that Alternative Scriptwriting isn't a book for the novice screenwriter. It's not a how-to book, but more of a collection of suggestions and examples of how you can take your writing beyond the conventional approach put forth in most books on the subject. You'll get far more out of this book if you've already written a few screenplays and have the basics of story structure down.

The problem I have with most screenwriting books is that the authors are too enamored with conventional three-act structure. They tend to praise movies that aren't that great (I cannot count how many times Tootsie is used as an example in various books, nor can I fathom why the late Blake Snyder loved Miss Congeniality so freaking much), or they try to shoehorn a movie into the old Syd Field paradigm. One book I read literally tried to restructure Memento so that it fit the template.

What I liked about Alternative Scriptwriting was that the authors try to impart that nothing in storytelling is really written in stone. The characters don't have to be active, there doesn't have to be three acts, the genre conventions can be mixed and altered, etc. Even better, they show example after example of mainstream and arthouse films that pull off these convention-breaking ideas. For example, Full Metal Jacket's use of two acts and a passive main character, or Spike Lee's She's Gotta Have It using two acts so that the character reaffirms her ways instead of changing into something else.

The only downside to the book is that it is written pretty dryly, as if it were intended for the college classroom. This makes sense, as authors Ken Dancyger and Jeff Rush are both university professors. While I wouldn't want the book to be written in the dumbed-down, super breezy style you find in the Dummies' Guide books, the text could use just a little personality. That being said, the dryness of the writing is a small detraction from a good book that shows writers that they don't have to be bogged down by the "rules" of conventional screenwriting.

If you've written a few scripts and are looking at how to take your own writing to new levels, this is a book you must read.

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