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by Walter Adamson

Download Avant-Garde Florence: From Modernism to Facism (Studies in Cultural History) fb2, epub

ISBN: 067405525X
Author: Walter Adamson
Language: English
Publisher: Harvard University Press; First Edition edition (December 28, 1993)
Pages: 352
Category: Humanities
Subcategory: Other
Rating: 4.7
Votes: 679
Size Fb2: 1112 kb
Size ePub: 1584 kb
Size Djvu: 1863 kb
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Walter L. Adamson is Samuel Candler Dobbs Professor of History at Emory University where he teaches modern . He is author of "Avant-Garde Florence: From Modernism to Fascism.

Walter L. Adamson is Samuel Candler Dobbs Professor of History at Emory University where he teaches modern European intellectual and cultural history as well as modern Italian history. winner of the Howard Marraro Prize of the American Historical Association, and "Hegemony and Revolution" (UC Press), winner of the Howard Marraro Prize of the Society for Italian Historical Studies.

Avant-Garde Florence book . Start by marking Avant-Garde Florence: From Modernism to Facism as Want to Read: Want to Read savin. ant to Read.

Semantic Scholar extracted view of "Avant-Garde Florence: From . oceedings{eFF, title {Avant-Garde Florence: From Modernism to Fascism}, author {Chiara Ferrari and Walter L. Adamson}, year {1997} }. Chiara Ferrari, Walter L. Adamson.

Semantic Scholar extracted view of "Avant-Garde Florence: From Modernism to Fascism" by Chiara Ferrari et a. View PDF. Save to Library.

A Brief History of Time: From the Big Bang to Black Holes. More by Walter L. Embattled Avant-Gardes: Modernism's Resistance to Commodity Culture in Europe.

book by Walter L. A Brief History of Time: From the Big Bang to Black Holes. Hegemony and Revolution: Antonio Gramsci's Political and Cultural Theory.

Article in Journal of Modern Italian Studies 6(2):230-248 · June 2001 with 41 Reads. DOI: 1. 080/13545710122257. Cite this publication.

From Modernism to Fascism. Series:Studies in Cultural History. Harvard university press. He depicts a generation rejecting provincialism, seeking spiritual freedom in Paris, and ultimately blending the modernist style found there with their own sense of toscanità or "being Tuscan.

David Sheinin Department of History Trent University. Adamson's study is, despite its title, less about Florence than about some influen-tial thinkers who happened to reside in Florence. Adamson, Walter L. Avant-Garde Florence: From Modernism to Fascism. Studies in Cultural History). Cambridge: Harvard University Press, 1993. Pp. xiv, 33. 2 illustrations, bibliography, index. Modris Eksteins Division of Humanities Scarborough Campus, University of Toronto.

Volume 23, Number 2, March 1995, pp. 3-71. You are on Érudit's new platform. Enjoy! Switch to classic view. Browse the articles in this issue.

Avant-garde Florence: From Modernism to Fascism. Harvard University Press, 1993.

Samuel Candler Dobbs Professor of Intellectual History Department of History Bowden Hall 561 South Kilgo Circle Emory University Atlanta, GA 30322 (404) 727-4222 (tel) (404) 727-4959 (fax).

They envisioned a brave new world, and what they got was fascism. As vibrant as its counterparts in Paris, Munich, and Milan, the avant-garde of Florence rose on a wave of artistic, political, and social idealism that swept the world with the arrival of the twentieth century. How the movement flourished in its first heady years, only to flounder in the bloody wake of World War I, is a fascinating story, told here for the first time. It is the history of a whole generation's extraordinary promise--and equally extraordinary failure.

The "decadentism" of D'Annunzio, the philosophical ideals of Croce and Gentile, the politics of Italian socialism: all these strains flowed together to buoy the emerging avant-garde in Florence. Walter Adamson shows us the young artists and writers caught up in the intellectual ferment of their time, among them the poet Giovanni Papini, the painter Ardengo Soffici, and the cultural critic Giuseppe Prezzolini. He depicts a generation rejecting provincialism, seeking spiritual freedom in Paris, and ultimately blending the modernist style found there with their own sense of toscanità or "being Tuscan."

In their journals--Leonardo, La Voce, Lacerba, and l'Italia futurista--and in their cafe life at the Giubbe Rosse, we see the avant-garde of Florence as citizens of an intellectual world peopled by the likes of Picasso, Bergson, Sorel, Unamuno, Pareto, Weininger, and William James. We witness their mounting commitment to the ideals of regenerative violence and watch their existence become increasingly frenzied as war approaches. Finally, Adamson shows us the ultimate betrayal of the movement's aspirations as its cultural politics help catapult Italy into war and prepare the way for Mussolini's rise to power.

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