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by Helen Wood,Beverley Skeggs

Download Reacting to Reality Television: Performance, Audience and Value fb2, epub

ISBN: 0415693705
Author: Helen Wood,Beverley Skeggs
Language: English
Publisher: Routledge; 1 edition (May 8, 2012)
Pages: 264
Category: Humanities
Subcategory: Other
Rating: 4.4
Votes: 388
Size Fb2: 1444 kb
Size ePub: 1236 kb
Size Djvu: 1972 kb
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Beverley Skeggs, Helen Wood.

Beverley Skeggs, Helen Wood. The zeal with which television executives seize on the easily replicated formats is matched equally by the eagerness of audiences to offer themselves up as television participants for others to watch and criticise

Reality Television and Class.

Reality Television and Class. Reality Television, Affect and Intimacy: Reality Matters. Media, Home and Family.

It has been published as 'Reacting to Reality TV; Audience, Performance and Value'(with Helen Wood). In September 2013, Skeggs began an ESRC Professorial Fellowship on 'A Sociology of Values and Value'. Numerous articles have been published on this project.

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Reacting to Reality Television: Performance, Audience and Value. As reality television draws 'ordinary people' into the limelight, this book interrogates the class politics of this lucrative entertainment formula. Reality TV: The Work of Being Watched (Critical Media Studies) (Critical Media Studies: Institutions, Politics, and Culture). T?his is the first book about reality television to make class its central focus.

The zeal with which television executives seize on the easily replicated formats is matched equally by the eagerness of audiences to offer themselves up as television participants for others to watch and criticise

Reacting to reality television: Performance, audience and value. Exchange, value and affect: Bourdieu and ‘the self’. Techniques for telling the reflexive self. Feminist ethnography. Handbook of ethnography, 426-442, 2001.

Introduction: Reacting to Reality Television 1. From Representation to Intervention 2. Public Intimacy, Performance and the Value of. .Beverley Skeggs is Professor of Sociology at Goldsmiths College, University of London. Public Intimacy, Performance and the Value of Personhood 3. Textual Intimacies 4. Reacting to Reality Television: Methodology 5. Affect and Ambiguity, Not Governmentality 6. From Affect to Authority: The Making of the Moral Person 7. The Productive Person: Recognizing Labour and Value 8. Conclusion: Intimacy, Ideology, Value and Politics.

Save up to 80% by choosing the eTextbook option for ISBN: 9781136502446, 1136502440. The print version of this textbook is ISBN: 9780415693707, 0415693705. Note that the availability of products for purchase is based on the country of your billing address. Some items may have regional restrictions for purchase. Canadian customers may purchase from our stores in Canada or the US. Canada. Beverley Skeggs, Helen Wood. This is the first book about reality television to make class its central focus

Reacting to Reality Television: Performance, Audience and Value. The zeal with whic. More). This is the first book about reality television to make class its central focus. Despite popular and media debate about the 'classed' behaviour o.

The unremitting explosion of reality television across the schedules has become a sustainable global phenomenon generating considerable popular and political fervour.

The zeal with which television executives seize on the easily replicated formats is matched equally by the eagerness of audiences to offer themselves up as television participants for others to watch and criticise. But how do we react to so many people breaking down, fronting up, tearing apart, dominating, empathising, humiliating, and seemingly laying bare their raw emotion for our entertainment? Do we feel sad when others are sad? Or are we relieved by the knowledge that our circumstances might be better? As reality television extends into the experiences of the everyday, it makes dramatic and often shocking the mundane aspects of our intimate relations, inviting us as viewers into a volatile arena of mediated morality.

This book addresses the impact of this endless opening out of intimacy as an entertainment trend that erodes the traditional boundaries between spectator and performer demanding new tools for capturing television’s relationships with audiences. Rather than asking how the reality television genre is interpreted as ‘text’ or representation the authors investigate the politics of viewer encounters as interventions, evocations, and more generally mediated social relations.

The authors show how different reactions can involve viewers in tournaments of value, as women viewers empathise and struggle to validate their own lives. The authors use these detailed responses to challenge theories of the self, governmentality and ideology.

A must read for both students and researchers in audience studies, television studies and media and communication studies.

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