ISBN: 0521410665
Author: John Hayes
Language: English
Publisher: Princeton University Press; 1 edition (January 21, 1992)
Pages: 408
Category: Humanities
Subcategory: Other
Rating: 4.1
Votes: 390
Size Fb2: 1336 kb
Size ePub: 1871 kb
Size Djvu: 1282 kb
Other formats: lrf mobi lit doc
John Hayes Published 1992 424 pages
John Hayes Published 1992 424 pages. The third in a series of systematic catalogues of the collection of the National Gallery of Art, British Paintings includes paintings that were produced from the 16th to the 19th century by British artists or foreign artists who spent the greater part of their working lives in Britain.
British Paintings of the Sixteenth through Nineteenth Centuries, John Hayes, 1992. Decorative Arts, Part II: Far Eastern Ceramics and Paintings; Persian and Indian Rugs and Carpets, Virginia Bower, Josephine Hadley Knapp, Stephen Little, and Robert Wilson Torchia, with contributions by Judy Ozone and William Sargent, 1998. Dutch Paintings of the Seventeenth Century, Arthur K. Wheelock J. 1995
The Gallery Shops Books & Media Collection Catalogs British Paintings of the Sixteenth through Nineteenth . Written by John Hayes. British masterpieces of grand-style portraiture and landscape painting are explored in this volume.
The Gallery Shops Books & Media Collection Catalogs British Paintings of the Sixteenth through Nineteenth Centuries. Portraits such as Thomas Gainsborough's Mrs. Richard Brinsley Sheridan, as well as pictures by George Romney and Sir Henry Raeburn, attest to the influence of Sir Anthony van Dyck's more sophisticated European style on artists of the period.
Hayes, John T. Note: Washington, . National Gallery of Art ; : Cambridge University Press, c1992. Subject: National Gallery of Art (. Subject: Painting, Modern. Subject: Painting, British.
Series: National Gallery of Art Systematic Catalogues (Book 1). Hardcover: 592 pages.
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Описание: This book argues that sixteenth-century European encounters with the newly discovered Mexicans (in the Aztec Empire) and the newly dominant Ottoman Empire can only be understood in relation to the cultural and intellectual changes wrought by the Reformation.
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French art before the revolution is characterized by an astonishing variety of styles and themes and by a consistently high.
National Gallery Catalogues. The Sixteenth Century Netherlandish and French Schools. The technical examination of the National Gallery paintings also included taking x-radiographs and infrared reflectograms. The seven paintings examined include: The Crucified Christ with the Virgin Mary, Saints and Angels, NG 3943; An Allegory ('Vision of a Knight'), NG 213; The Procession to Calvary, NG 2919; The Madonna and Child with Saint John the Baptist and Saint Nicholas of Bari, NG 1171; Saint John the Baptist Preaching, NG 6480; The Madonna of the.
This volume is devoted to the paintings in the National Gallery, Washington DC, that were produced from the .
This volume is devoted to the paintings in the National Gallery, Washington DC, that were produced from the fifteenth to the nineteenth century by British artists, or by foreign artists who spent the greater part of their working lives in Britain
British masterpieces of grand-style portraiture and landscape painting are explored in this volume. Portraits such as Thomas Gainsborough's Mrs. Richard Brinsley Sheridan, as well as pictures by George Romney and Sir Henry Raeburn, attest to the influence of Sir Anthony van Dyck's more sophisticated European style on artists of the period. John Constable's Wivenhoe Park, Essex and Joseph Mallord William Turner's Keelmen Heaving in Coals by Moonlight are some of the best examples of British art of the eighteenth and nineteenth centuries.