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Download Celluloid Mushroom Clouds: Hollywood And Atomic Bomb (Critical Studies in Communication and in the Cultural Industries) fb2, epub

by Joyce Evans

Download Celluloid Mushroom Clouds: Hollywood And Atomic Bomb (Critical Studies in Communication and in the Cultural Industries) fb2, epub

ISBN: 0813391415
Author: Joyce Evans
Language: English
Publisher: Westview Press (April 9, 1999)
Pages: 228
Category: Humanities
Subcategory: Other
Rating: 4.1
Votes: 446
Size Fb2: 1216 kb
Size ePub: 1849 kb
Size Djvu: 1332 kb
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Joyce Evans Joyce Evans investigates the transformation of the imagery associated with atomic technology found in Hollywood film.

Joyce Evans investigates the transformation of the imagery associated with atomic technology found in Hollywood film produced and distributed between 1947 and 1964.

Celluloid Mushroom Clouds: Hollywood And Atomic Bomb (Critical Studies in Communication and in the Cultural Industries). Download (pdf, 3. 5 Mb) Donate Read.

Celluloid Mushroom Clouds book

Celluloid Mushroom Clouds book. Joyce Evans investigates the transformation of the imagery associated with atomic technology found in Hollywood film produced and distributed between 1947 and 1964.

Mass Market Paperback Paperback Hardcover Mass Market Paperback Paperback Hardcover.

cle{osti 7169122, title {Celluloid mushroom clouds: Hollywood and theĀ . In this instance, the cinema is one cultural institution that contributes to a healthy society.

cle{osti 7169122, title {Celluloid mushroom clouds: Hollywood and the atomic bomb}, author {Evans-Karastamatis, . abstractNote {This dissertation investigates the development of the imagery associated with atomic technology found in Hollywood film produced and distributed between 1948 and 1964. Metals in Past Societies: A Global Perspective on Indigenous African Metallurgy Shadreck Chirikure.

Similarly, the book is confusingly rendered as concluding in either 1964 or. .

Similarly, the book is confusingly rendered as concluding in either 1964 or 1965. Nor is the work strengthened by a highly derivative time-line of significant nuclear events run in parallel with a chronology of films which Evans defines as "nuclear. The merits of Celluloid Mushroom Clouds can be found in the historical foregrounding of various economic and political constraints upon Hollywood. But neither the mechanism for nor the rationale of these "causes" through to the "effects"on filmmakers and the industry are convincingly articulated.

Joyce Evans investigates the transformation of the imagery associated with atomic technology found in Hollywood films produced and distributed between 1947 and 1964. Includes bibliographical references (pages 197-203) and index.

Celluloid Mushroom Clouds: Hollywood And The Atomic Bomb (Critical Studies in Communication and in the CulturalĀ .

Celluloid Mushroom Clouds: Hollywood And The Atomic Bomb (Critical Studies in Communication and in the Cultural Industries). It has great notes and a fabulous bibliography that helped enlarge my nuclear library. As a long-time student of the Cold War and nuclear weapons, Winkler's well-written, easily understood book gave me a concise perspective of where we've been in the arms race and shows hope for tomorrow if only people would take a stand as a whole and face the problem of nuclear weapons.

Celluloid Mushroom Clouds is a historical account of how the movie industry responded to specific economic and political forces over the postwar years. Joyce Evans investigates the transformation of the imagery associated with atomic technology found in Hollywood film produced and distributed between 1947 and 1964. Incorporating qualitative and quantitative research methods, over 90 films are analyzed in terms of their historical context and the context of film production and distribution.The industry-focused approach presented in the book views cultural production as a material process unfolding under specific economic, political, and cultural conditions and emphasizes the “pressures and limits” of production that are inscribed in cinematic texts. The study illustrates in concrete detail how the cinematic texts negotiated by audiences are produced in highly concentrated industries and are constructed as a result of often contradictory determinants. These determinants work to shape the texts produced by encouraging, for example, the production of particular genres and by privileging a specific set of images over others. Evans argues that through these images, Hollywood articulated a limited critique of the Cold War ideology, which it also helped to create. She concludes that Hollywood's overall ideological effect has been to restrict the discursive means available for defining social reality.

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