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Download The Ethics of Authorship: Communication, Seduction, and Death in Hegel and Kierkegaard fb2, epub

by Daniel Berthold

Download The Ethics of Authorship: Communication, Seduction, and Death in Hegel and Kierkegaard fb2, epub

ISBN: 0823233944
Author: Daniel Berthold
Language: English
Publisher: Fordham University Press; 1 edition (January 3, 2011)
Pages: 248
Category: History & Criticism
Subcategory: Literature
Rating: 4.6
Votes: 586
Size Fb2: 1211 kb
Size ePub: 1648 kb
Size Djvu: 1498 kb
Other formats: docx lit lrf doc


The book argues that there is an either/or between Hegel and Kierkegaard, just not the one Kierkegaard proposes as between an author devoid of ethics and one who makes possible a true ethics of authorship.

The book argues that there is an either/or between Hegel and Kierkegaard, just not the one Kierkegaard proposes as between an author devoid of ethics and one who makes possible a true ethics of authorship. Rather, the either/or is between two competing practices of authorship, one daunting with the cadences of a highly technical style, the other delightful for its elegance and playfulness- but both powerful experiments in the ethics of style. Over 14 million journal, magazine, and newspaper articles

This is a book about the ethics of authorship.

This is a book about the ethics of authorship. Most directly, it explores different conceptualizations of the responsibilities of the author to the reader. But it also engages the question of what styles of authorship allow these responsibilities to be met. Style itself is an ethical issue. Bethold brings a rich tapestry of thinkers into play and provides unexpected entry into the lives of both writers. ―David MacGregor University of Western Ontario). Style itself is an ethical issue, since the relation between the writing subject and the reader-and the dynamics of authority and influence, of gift giving and friendship in this relation-have as much to do with how one writes as what one says.

The Ethics of Authorship book. Goodreads helps you keep track of books you want to read

The Ethics of Authorship book. This is a book about the ethics of authorship  . Goodreads helps you keep track of books you want to read. Start by marking The Ethics of Authorship: Communication, Seduction, and Death in Hegel and Kierkegaard as Want to Read: Want to Read savin. ant to Read.

Mobile version (beta). The Ethics of Authorship: Communication, Seduction, and Death in Hegel and Kierkegaard. Download (pdf, . 3 Mb) Donate Read. Epub FB2 mobi txt RTF. Converted file can differ from the original. If possible, download the file in its original format. There is finally an either/or between Hegel and Kierkegaard, just not the one Kierkegaard proposes as between an author devoid of ethics and one who makes possible a true ethics of authorship

Published by: Fordham University. There is finally an either/or between Hegel and Kierkegaard, just not the one Kierkegaard proposes as between an author devoid of ethics and one who makes possible a true ethics of authorship. Rather, the either/or is between two competing practices of authorship, one daunting with the cadences of a highly technical style, the other delightful for its elegance and playfulness-but both powerful experiments in the ethics of style.

Daniel Berthold-Bond. Introduction : Rorschach tests - A question of style - Live or tell - Kierkegaard's seductions - Hegel's seductions - Talking cures - A penchant for disguise : the death (and rebirth) of the author in Kierkegaard and Nietzsche - Passing over : the death of the author in Hegel - Conclusion : the melancholy of having. Finished - Aftersong : from low down. all members. No current Talk conversations about this book.

Communication, Seduction, and Death in Hegel and Kierkegaard.

book by Daniel Berthold. The Ethics of Authorship : Communication, Seduction, and Death in Hegel and Kierkegaard.

Daniel Bertholds The Ethics of Authorship: Communication, Seduction, and Death in Hegel and Kierkegaard is a well-written book, provocative in its theses, expansive in its scope, and creative in its execution

Daniel Bertholds The Ethics of Authorship: Communication, Seduction, and Death in Hegel and Kierkegaard is a well-written book, provocative in its theses, expansive in its scope, and creative in its execution. 1 It prompts us to envision the relationship between . All the while, it documents how subtle differences between the two thinkers conceptions of selfhood influence their attitudes regarding the relationship with others inherent in communication.

This is a book about the ethics of authorship. Most directly, it explores different conceptualizations of the responsibilities of the author to the reader. But it also engages the question of what styles of authorship allow these responsibilities to be met. Style itself is an ethical issue, since the relation between the writing subject and the reader--and the dynamics of authority and influence, of gift giving and friendship in this relation--have as much to do with how one writes as what one says.

The two writers who serve as the main subjects for this work, the German idealist philosopher G. W. F. Hegel and the Danish Christian existentialist Søren Kierkegaard, invite us to confront particularly challenging questions about the ethics of authorship. Each in his own way explores styles of authorship that employ a variety of strategies of seduction in order to entice the reader into his narratives, strategies that at least on the surface appear to be fundamentally manipulative and unethical. Further, both seek to enact their own deaths as authors, effectively disappearing as reliable guides for the reader. That might also seem to be ethically irresponsible, an abandonment of the reader, who has been seduced only to be deserted.

This is the first work to undertake a sustained questioning of Kierkegaard's central distinction between his own "indirect" style of communication and the (purportedly) "direct" style of Hegel's philosophy. Hegel was in fact a much more subtle practitioner of style than Kierkegaard represents him as being, indeed, a practitioner whose style is in the service of an ambitious reconceptualization of the ethics of authorship. As for Kierkegaard, his own indirect style raises a whole series of ethical questions about how the reader is imagined in relation to the author.

There is finally an either/or between Hegel and Kierkegaard, just not the one Kierkegaard proposes as between an author devoid of ethics and one who makes possible a true ethics of authorship. Rather, the either/or is between two competing practices of authorship, one daunting with the cadences of a highly technical style, the other delightful for its elegance and playfulness--but both powerful experiments in the ethics of style.

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