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by Stephanie Foote

Download Regional Fictions: Culture and Identity in Nineteenth-Century American Literature fb2, epub

ISBN: 0299171108
Author: Stephanie Foote
Language: English
Publisher: University of Wisconsin Press; 1 edition (April 29, 2001)
Pages: 256
Category: History & Criticism
Subcategory: Literature
Rating: 4.4
Votes: 540
Size Fb2: 1582 kb
Size ePub: 1266 kb
Size Djvu: 1154 kb
Other formats: mbr doc lrf txt


Regional Fictions is that book.

Regional Fictions is that book. Its scope and intelligence ensure that it will be widely read. Priscilla Wald, author of Constituting Americans: Cultural Anxiety and Narrative Form "A first-rate work of literary and cultural criticism. In particular, Foote argues that the colorful local characters, dialects, and accents that marked regionalist novels and short stories of the late nineteenth century were key to the genre's conversion of seemingly dangerous political differences - such as those posed by disaffected midwestern farmers or recalcitrant foreign nationals - into appealing cultural differences.

American literary regionalism or local color is a style or genre of writing in the United States that gained popularity in the mid to late 19th century . Regional Fictions: Culture and Identity in Nineteenth-Century American Literature. University of Wisconsin Press. ISBN 978-0-299-17113-1.

American literary regionalism or local color is a style or genre of writing in the United States that gained popularity in the mid to late 19th century into the early 20th century.

In the mid-nineteenth century .

In the mid-nineteenth century, Nathaniel Hawthorne published his magnum opus The Scarlet Letter, a novel about adultery, isolation, and other important themes. As the colonies moved toward independence from Britain, an important discussion of American culture and identity came from the French immigrant J. Hector St. John de Crèvecœur, whose Letters from an American Farmer addresses the question "What is an American?" by moving between praise for the opportunities and peace offered in the new society and recognition that the solid life of the farmer

Regional Fictions book.

Regional Fictions book. Out of many, one - e pluribus unum - is the motto of the American. Goodreads helps you keep track of books you want to read. Start by marking Regional Fictions: Culture and Identity in Nineteenth-Century American Literature as Want to Read: Want to Read savin. ant to Read.

Broadening the definitions of regional writing and its imaginative territory, Regional Fictions moves beyond .

oceedings{Foote2001RegionalFC, title {Regional Fictions: Culture and Identity in Nineteenth-Century American Literature}, author {Stephanie Foote}, year {2001} }. Stephanie Foote. Out of many, one - e pluribus unum - is the motto of the American nation, and it sums up neatly the paradox that Stephanie Foote so deftly identifies in Regional Fictions.

PDF On Feb 14, 2014, Stephanie Foote and others published Geographic . In book: The Oxford History of the Novel in English, p. 35-150.

PDF On Feb 14, 2014, Stephanie Foote and others published Geographic Fictions and the American Novel. Cite this publication. West Virginia University.

The American Identity in Literature. Updated on May 18, 2018. Race was a crucial issue in American Identity politics in the 20th century Source. Firstly, a discussion of the historical context in which these books were published and how the idea of an America identity developed. This article will dicuss the representation of American identity, particularly focusing on the issues of race and religion. While nearly eighty years separate the publication of these two works, the historical context of religion and racial issues in America have similar effects on the characters in both. The representation of American identity is encapsulated by one word; freedom.

Recent papers in Nineteenth-Century American Literature and Culture. The journal English Literature: Theories, Interpretations, Contexts, published at Ca' Foscari University of Venice, invites scholars to send article proposals on the topic of. Fictions, Facts and "Effects of Reality": Questioning the Mimetic in the Nineteenth-Century Novel.

Examining the conjuncture of politics and aesthetics in Garland's work may not rescue his critical reputation, but using him as a case study will allow us to track the hidden histories of the production of local identity, regional culture, and regional authorship that the "best" and most successful regional writing has helped to conceal

Out of many, one—e pluribus unum—is the motto of the American nation, and it sums up neatly the paradox that Stephanie Foote so deftly identifies in Regional Fictions. Regionalism, the genre that ostensibly challenges or offers an alternative to nationalism, in fact characterizes and perhaps even defines the American sense of nationhood.     In particular, Foote argues that the colorful local characters, dialects, and accents that marked regionalist novels and short stories of the late nineteenth century were key to the genre’s conversion of seemingly dangerous political differences—such as those posed by disaffected Midwestern farmers or recalcitrant foreign nationals—into appealing cultural differences. She asserts that many of the most treasured beliefs about the value of local identities still held in the United States today are traceable to the discourses of this regional fiction, and she illustrates her contentions with insightful examinations of the work of  Sarah Orne Jewett, Hamlin Garland, Gertrude Atherton, George Washington Cable, Jacob Riis, and others. Broadening the definitions of regional writing and its imaginative territory, Regional Fictions moves beyond literary criticism to comment on the ideology of national, local, ethnic, and racial identity.

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