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Download Song, Dance and Poetry of the Court of Scotland under King James VI fb2, epub

by Helena Mennie Shire

Download Song, Dance and Poetry of the Court of Scotland under King James VI fb2, epub

ISBN: 0521148294
Author: Helena Mennie Shire
Language: English
Publisher: Cambridge University Press; Reissue edition (August 26, 2010)
Pages: 304
Category: History & Criticism
Subcategory: Literature
Rating: 4.9
Votes: 407
Size Fb2: 1798 kb
Size ePub: 1401 kb
Size Djvu: 1933 kb
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Mrs Shire shows that the song repertory of Scotland in the sixteenth century is rewarding poetically and musically both in. .Helena Mennie Shire (1912 - 1991) attended the High School for Girls in Aberdeen. She was educated at Aberdeen and Cambridge Universities

Helena Mennie Shire (1912 - 1991) attended the High School for Girls in Aberdeen. She was educated at Aberdeen and Cambridge Universities. She was the author of several books.

Book Description: Originally published in 1969, this study examines the song repertory of Scotland in the sixteenth century. Independent Bookstores since 1971. Visit Seller's Storefront. Members of these associations are committed to maintaining the highest standards.

Bibliography: p. 267-275.

Song, dance and poetry of the court of Scotland under King James VI Close. 1 2 3 4 5. Want to Read. Are you sure you want to remove Song, dance and poetry of the court of Scotland under King James VI from your list? Song, dance and poetry of the court of Scotland under King James VI. by Helena Mennie Shire. Bibliography: p. 6. The Physical Object.

James adopted a severe stance towards sodomy using English law. His book on kingship, Basilikón Dōron, (Greek for "Royal Gift") lists sodomy among . Song, Dance and Poetry of the Court of Scotland Under King James VI. Cambridge: Cambridge University Press. His book on kingship, Basilikón Dōron, (Greek for "Royal Gift") lists sodomy among those horrible crimes which ye are bound in conscience never to forgive. He also singled out sodomy in a letter to Lord Burleigh giving directives that Judges were to interpret the law broadly and were not to issue any pardons, saying that "no more colour may be left to judges to work upon their wits in that point. p. 193. ISBN 9780521071819. Homosexuality & Civilization By Louis Crompton; . 86.

The No1 Ethical retailer for Books, CD’s, DVD’s & Games. This study examines the song repertory and two poets, Alexander Scott and Alexander Montgomerie, in sixteenth-century Scotland. 30 Day Refund Guarantee. by HelenaMennieShire (Author).

To cite MacPhail, J. R. Papers from the Collection of Sir William Fraser (Scottish History Society, 1924), simply as.I have not given all the errors on these two pages. Much of the book is marred by carelessness of this sort. Papers from the Collection of Sir William Fraser (Scottish History Society, 1924), simply as Fraser Papers is confusing. 50, n. 3: the reading sols tournois is impossible for s. tournois and should be sous tournois; the explanation could have been found in a Petit Larousse Illustre. On p. 51 the explanation of Bazoche is wrong in detail; the correct explanation is given by John MacQueen, Ballatis of Luve (1970), p. xxxvii, who cites the Oxford Companion to French Literature.

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Автор: Mennie Shire Название: Song, Dance and Poetry of the Court of.Mrs Shire shows that the song repertory of Scotland in the sixteenth century is rewarding poetically and musically both in itself and for the part it plays in the Renaissance culture of Western Europe.

Mrs Shire shows that the song repertory of Scotland in the sixteenth century is rewarding poetically and musically both in itself and for the part it plays in the Renaissance culture of Western Europe. The author focuses on two poets, Alexander Scott and Alexander Montgomerie and adds to the value of her work by her constant preoccupation with period and background.

Originally published in 1969, this is a series of linked studies of the character, origins and history of the court-song of Renaissance Scotland, with substantial critical discussion on poets, musicians and court culture generally. Mrs Shire shows that the song repertory of Scotland in the sixteenth century is rewarding poetically and musically both in itself and for the part it plays in the Renaissance culture of Western Europe. The author focuses on two poets, Alexander Scott and Alexander Montgomerie and adds to the value of her work by her constant preoccupation with period and background. She sets herself to answer such questions as: who made the songs and how were they presented? Was the music more important than the words? Did the singers act or dance in performance? Were songs a central part of the life of the court? Her answers illuminate this previously unknown area of study.

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