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Download Singular Performances: Reinscribing the Subject in Francophone African Writing fb2, epub

by Michael Syrotinski

Download Singular Performances: Reinscribing the Subject in Francophone African Writing fb2, epub

ISBN: 0813921457
Author: Michael Syrotinski
Language: English
Publisher: University of Virginia Press (November 29, 2002)
Pages: 224
Category: History & Criticism
Subcategory: Literature
Rating: 4.3
Votes: 821
Size Fb2: 1562 kb
Size ePub: 1482 kb
Size Djvu: 1500 kb
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Francophone African writing is often concerned with questions of su. .Goodreads helps you keep track of books you want to read

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Singular Performances: Reinscribing the Subject in Francophone African Writing. African American Travel Narratives from Abroad: Mobility and Cultural Work in the Age of Jim Crow. Amherst: University of Massachusetts Press, 2015. Charlottesville: University of Virginia Press, 2002. Campbell, James T. Middle Passages: African American Journeys to Africa, 1787–2005. New York: Penguin, 2007. Griffin, Farah J. and Fish, Cheryl . eds. A Stranger in the Village: Two Centuries of African-American Travel Writing. Boston: Beacon Press, 1998. Gruesser, John Cullen. Whatley Smith, Virginia.

Michael Syrotinski is professor of French and Francophone Studies and director of the Centre for Modern Thought at the University of Aberdeen, as well as the author of Singular Performance: Reinscribing the Subject in Francophone African Writing and Defying Gravity: Jean.

Michael Syrotinski is professor of French and Francophone Studies and director of the Centre for Modern Thought at the University of Aberdeen, as well as the author of Singular Performance: Reinscribing the Subject in Francophone African Writing and Defying Gravity: Jean Paulhan's Interventions in Twentieth-Century Intellectual History.

Michael Syrotinski, Singular Performances: Reinscribing the Subject in Francophone African Writing . Thus, for example, one can query Kant’s writings on history and politics in terms of the concerns of formerly colonized peoples articulated by the critique of Eurocentrism.

Thus, for example, one can query Kant’s writings on history and politics in terms of the concerns of formerly colonized peoples articulated by the critique of Eurocentrism.

African Writing is a literary paper. African Writing Magazine African Writing Prize for Flash Fiction. PagesMediaBooks and ican WritingAbout.

Michael Syrotinski is professor of French and Francophone Studies and director of the Centre for Modern Thought at the University of Aberdeen, as well as the author of "Singular Performance: Reinscribing the Subject in Francophone African Writing" and "Defying Gravity: Jean.

Michael Syrotinski is professor of French and Francophone Studies and director of the Centre for Modern Thought at the University of Aberdeen, as well as the author of "Singular Performance: Reinscribing the Subject in Francophone African Writing" and "Defying Gravity: Jean Paulhan's Interventions in Twentieth-Century Intellectual History.

reinscribe the epistemological and historical foundations of media and communication studies in Africa. The impact of new media on art and film has influenced the material histories and performances (be they in theory or practice) of images across the disciplines. Digital technologies have not only shaped.

Singular Performances: Reinscribing the Subject in Francophone African Writing b.

Francophone African writing is often concerned with questions of subjectivity and narrative agency, and it is this focus Michael Syrotinski takes as his point of departure in Singular Performances. Using the work of V. Y. Mudimbe as a major theoretical reference, Syrotinski sets up a number of original dialogues between francophone African literature, African philosophy, literary theory, postcolonial studies, cinema, cultural studies, and history to arrive at the notion of a "performative reinscription of subjectivity."

Singular Performances covers a wide range of francophone African writers, each of whom is read within a broader theoretical context related to African subjectivity: Mudimbe and the philosophical subject, Aoua Kéita and autobiography, Bernard Dadié and ethnographic irony, Ousmane Sembene and Tierno Monénembo and the cinematic imagination, Véronique Tadjo and Werewere Liking and the female writing subject, and Sony Labou Tansi and the "spectral" subject.

In this skillful interdisciplinary weaving together of contemporary theory and literature, the focus on the francophone African subject allows for a richer appreciation of the texture and rhetoric of the language of the texts themselves. What emerges from this study is the subject understood not as a single homogenized entity but as a plural celebration of singular francophone African subjectivities.

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