ISBN: 0826512887
Author: C. Brian Morris
Language: English
Publisher: Vanderbilt University Press; 1st edition (September 24, 1997)
Pages: 488
Category: History & Criticism
Subcategory: Literature
Rating: 4.2
Votes: 277
Size Fb2: 1918 kb
Size ePub: 1524 kb
Size Djvu: 1490 kb
Other formats: lrf mbr doc azw
by C. Brian Morris (Author). ISBN-13: 978-0826512888. This could become the basic book in English on Lorca's plays and poetry and the single most helpful book on Lorca published over the past decade or so. - -Christopher H. Maurer.
by C. Why is ISBN important? ISBN. The 13-digit and 10-digit formats both work.
Son of Andalusia: The Lyrical Landscapes of Federico Garcia Lorca.
Son Of Andalusia book. Andalusia was the central feature and influence in the life and writings of the author, musician and artist, Federico Garcia Lorca. Andalusia was the central feature and influence in the life and writings. Through a study of Andalusian folk culture and popular verse, this book aims to show how Lorca transformed and veiled real people and places in his poetry and drama.
by Federico García Lorca. Select Format: Hardcover. ISBN13: 9780826512888. Release Date: September 1997.
Federico García Lorca Reed Anderson MacMillan Modern Dramatists . Son of Andalusia: The Lyrical Landscapes of Federico Garcia Lora C. Brian Morris Hardcover, Published 1997.
Federico García Lorca Reed Anderson MacMillan Modern Dramatists Paperback, Published 1989. Federico Garcia Lorca, 1898-1936 With Book Christopher Maurer Software, Published 1999. Federico Garcia Lorca : Life, Work, and Criticism . rant MacCurdy Authoritative Studies in World Literature Paperback, Published 1986. Lorca's the Public: A Study of His Unfinished Play El Público and of Love and Death in the Work of Federico García Lorca Rafael. Cuando yo me muera: Essays in Memory of Federico Garcia Lorca C. Brian Morris.
Manufacturer: Liverpool University Press Release date: 22 August 1997 ISBN-10 : 085323602X ISBN-13: 9780853236023.
Federico del Sagrado Corazón de Jesús García Lorca (Spanish pronunciation: ; 5 June 1898 – 19 August 1936), known as Federico García Lorca (English: /ɡɑːrˌsiːə ˈlɔːrkə/ gar-SEE-ə LOR-kə), wa. .
Federico del Sagrado Corazón de Jesús García Lorca (Spanish pronunciation: ; 5 June 1898 – 19 August 1936), known as Federico García Lorca (English: /ɡɑːrˌsiːə ˈlɔːrkə/ gar-SEE-ə LOR-kə), was a Spanish poet, playwright, and theatre director.
For Lorca, Andalusia was a landscape not only of place but of people. Exploring subjects ranging from medieval ballads to flower and plant lore, he further investigates the relationship between Lorca and the writings of other Andalusian-born authors, as well as traditional Andalusian poetry and song.
C. Brian Morris Son of Andalusia: the Lyrical Landscapes of Federico García LorcaLiverpool: Liverpool . 25. ISBN 84-89162-98-0
C. Brian Morris Son of Andalusia: the Lyrical Landscapes of Federico García LorcaLiverpool: Liverpool University Press, 1997. ISBN 84-89162-98-0. C.
Federico Garcia Lorca, Spanish poet and playwright who resurrected and revitalized the most basic strains of Spanish poetry and theatre. His first book, Impresiones y paisajes (1918; Impressions and Landscapes), a prose work in the modernista tradition, chronicled Lorca’s sentimental response to a series of journeys through Spain as a university student. Libro de poemas ( Book of Poems ), an uneven collection of predominantly modernista poems culled from his juvenilia, followed in 1921. Both efforts disappointed Lorca and reinforced his inherent resistance to publication, a fact that led to frequent delays in the publication and production of his work.
Andalusia was the central feature and influence in the life and writings of the twentieth-century author, musician, and artist, Federico Garcia Lorca. Rooted in his native region, which both captivated and shaped him, Lorca maintained that "The better a writer learns how to interpret the landscape, the greater the artist he will be." Blessed with an acute historical sense of a region where the past is both present and enduring, Lorca proved himself sensitive and articulate enough to interpret "the emotion of the landscape" in all of his creative work.
For Lorca, Andalusia was a landscape not only of place but of people. Through exhaustive research and painstaking readings in a wide range of anthologies of Andalusian folk culture and collections of popular verse, author C. Brian Morris reveals how Lorca transformed and veiled real people and real places in his poetry and drama. Exploring subjects ranging from medieval ballads to flower and plant lore, he further investigates the relationship between Lorca and the writings of other Andalusian-born authors, as well as traditional Andalusian poetry and song. Juxtaposing this material with well-chosen quotations from Lorca's works, Morris provides myriad examples of analogy and reminiscence that will inform and enlighten both general readers and Lorca specialists.