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Marcus Klein, After Alienation: American novels in mid-century (New York: World Publishers, 1964). 3. Gelfant, p. 29. oogle Scholar. 4. Walter Kaufmann, for example, makes this point in several publications. Although I can discuss only briefly in this essay the experience of being at home with other human beings, I wish to bring to the reader’s attention an outstanding philosophical description of this relation. See Karol Wojtyla, ‘Participation or Alienation?’ in The Self and The Other,ed. 9 Anna-Teresa Tymieniecka (Boston: D. Reidel, 1977), pp. 61–73.
Series: Essay index reprint series. Publisher: Books for Libraries (December 1, 1972). ISBN-13: 978-0836928983. Shipping Weight: . pounds (View shipping rates and policies). Back to top. Get to Know Us. Careers.
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After Alienation: American Novels in Mid-Century. Cleveland: Meridian, 1965. Logsdon, Loren, and Charles W. Mayer, eds. Since Flannery O’Connor: Essays on the Contemporary American Short Story. Macomb, ILL: Western Illinois U, 1987
After Alienation: American Novels in Mid-Century. Macomb, ILL: Western Illinois U, 1987. Országh, László and Virágos Zsolt.
The JSTOR Understanding Series. The American Short Story: Front Line in the National Defense of Literature. After Alienation: American Novels in Mid-Century. by Marcus Klein (pp. 541-543). by William Peden (pp. 529-530).
Marcus Klein is professor of English at State University of New York at Buffalo. He has taught at Barnard College, University of Toulouse, University of Paris-Vincennes, Hebrew University of Jerusalem, and the Bread Loaf School of English. He is the author of the widely acclaimed After Alienation: American Novels in the Mid-Century and more recently Foreigners: The Making of American Literature, 1900-1940.
After Alienation American Novels in Mid-Century. 1962 meridian books softcover)
After Alienation American Novels in Mid-Century. 1962 meridian books softcover). 1962 meridian books softcover. 692BY/?tag prabook0b-20. In Easterns, Westerns, and Private Eyes, Marcus Klein explores the sources and accumulated meanings of certain tales and figures that have dominated the American imagination: the Horatio Alger story, the western, and the figure of the private eye. With their distinguishing locales, costumes, and gestures, they emerged in the late nineteenth century as a response to massive immigration, the great expansion of industry and commerce, and the crowding of the cities. Reynolds, Guy. Twentieth-Century American Women’s Fiction: A Critical Introduction. Basingstoke: Macmillan, 1999.