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by Rebecca Walkowitz

Download Cosmopolitan Style: Modernism Beyond the Nation fb2, epub

ISBN: 0231137508
Author: Rebecca Walkowitz
Language: English
Publisher: Columbia University Press (April 25, 2006)
Pages: 288
Category: History & Criticism
Subcategory: Literature
Rating: 4.3
Votes: 567
Size Fb2: 1808 kb
Size ePub: 1135 kb
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Cosmopolitan Style convinces with its assertion that contemporary cosmopolitanism – both .

Cosmopolitan Style convinces with its assertion that contemporary cosmopolitanism – both fictive and theoretical – owes a good deal to modernist texts, and with its vision of the ways modernist style disrupts standard, homogenized forms of national belonging. Twentieth-Century Literature). Rebecca L. Walkowitz is associate professor of English and director of the seminar on modernism and globalization at Rutgers University

Rebecca L. Walkowitz is associate professor of English and director of the seminar on modernism and globalization at Rutgers University.

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Cosmopolitan style : modernism beyond the nation, Rebecca L. Walkowitz. Many interlocutors have helped me to imagine what a book about cosmopolitan style could look like. For their conversations about this project, my warm thanks to Richard Begam, Michael Bernard-Donals, Antoinette Burton, Christopher Castiglia, Guillermina De Ferrari, Aparna Dharwadker, Vinay Dharwadker, Betsy Draine, Sara Guyer, Jonathan Gil Harris, Eric Hayot, Deborah Jenson, Louise Keely, John Kerkering, Jacques Lezra, Lucienne Loh, Venkat Mani, Nancy Rose Marshall, Jon McKenzie, David McWhirter, Madhavi Menon, Mary Ann O’Farrell, Mario Ortiz-Robles

Cosmopolitan Style binds concerns of literary modernism with "critical cosmopolitanism.

Cosmopolitan Style binds concerns of literary modernism with "critical cosmopolitanism. a consistent distinction between who is seeing and what is seen" (p. 2). For her, the adjective implies a "double consciousness" in which cosmopolitanism and its critique are simultaneously present. Her approach seems to move beyond the critical theory of Max Horkheimer as well as to embrace Theodor W. Adorno's suspicion of instrumental reason and Stuart Hall's emphasis on differentiation.

Interview with Rebecca Walkowitz, author of Cosmopolitan Style . Walkowitz argues that

Interview with Rebecca Walkowitz, author of Cosmopolitan Style: Modernism Beyond Nation. Interview with Rebecca Walkowitz, author of Cosmopolitan Style. Walkowitz argues that. com: Cosmopolitan Style: Modernism Beyond the Nation. Cosmopolitan virtual makeover version 3, Win 95/98/2000 NT, CD-ROM. Urban Realism and the Cosmopolitan Imagination in the Nineteenth.

COSMOPOLITAN STYLE Rebecca L. Walkowitz COSMOPOLITAN STYLE MO D E R. . Columbia University Press books are printed on permanent and durable acid-free paper

COSMOPOLITAN STYLE Rebecca L. Walkowitz COSMOPOLITAN STYLE MO D E R N I S M B E Y O N D T H E N AT I O N Columbia .Author: Rebecca L. Cosmopolitan style mo D e r n I s M b e y o n D t h e n at I o n. Columbia University Press. Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 0 9 8 7 6 5 4 3 2 . For my parents, Daniel Walkowitz and Judith Walkowitz.

American modernism, much like the modernism movement in general, is a trend of philosophical thought arising from the widespread changes in culture and society in the age of modernity.

In this broad-ranging and ambitious intervention in the debates over the politics, ethics, and aesthetics of cosmopolitanism, Rebecca L. Walkowitz argues that modernist literary style has been crucial to new ways of thinking and acting beyond the nation. While she focuses on modernist narrative, Walkowitz suggests that style conceived expansively as attitude, stance, posture, and consciousness helps to explain many other, nonliterary formations of cosmopolitanism in history, anthropology, sociology, transcultural studies, and media studies.Walkowitz shows that James Joyce, Joseph Conrad, Virginia Woolf, Salman Rushdie, Kazuo Ishiguro, and W. G. Sebald use the salient features of literary modernism in their novels to explore different versions of transnational thought, question moral and political norms, and renovate the meanings of national culture and international attachment. By deploying literary tactics of naturalness, triviality, evasion, mix-up, treason, and vertigo, these six authors promote ideas of democratic individualism on the one hand and collective projects of antifascism or anti-imperialism on the other. Joyce, Conrad, and Woolf made their most significant contribution to this "critical cosmopolitanism" in their reflection on the relationships between narrative and political ideas of progress, aesthetic and social demands for literalism, and sexual and conceptual decorousness. Specifically, Walkowitz considers Joyce's critique of British imperialism and Irish nativism; Conrad's understanding of the classification of foreigners; and Woolf's exploration of how colonizing policies rely on ideas of honor and masculinity. Rushdie, Ishiguro, and Sebald have revived efforts to question the definitions and uses of naturalness, argument, utility, attentiveness, reasonableness, and explicitness, but their novels also address a range of "new ethnicities" in late-twentieth-century Britain and the different internationalisms of contemporary life. They use modernist strategies to articulate dynamic conceptions of local and global affiliation, with Rushdie in particular adding playfulness and confusion to the politics of antiracism. In this unique and engaging study, Walkowitz shows how Joyce, Conrad, and Woolf developed a repertoire of narrative strategies at the beginning of the twentieth century that were transformed by Rushdie, Ishiguro, and Sebald at the end. Her book brings to the forefront the artful idiosyncrasies and political ambiguities of twentieth-century modernist fiction.

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