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Download The Figino, or On the Purpose of Painting: Art Theory in the Late Renaissance (Toronto Italian Studies) fb2, epub

by Ann Doyle-Anderson,Giancarlo Maiorino

Download The Figino, or On the Purpose of Painting: Art Theory in the Late Renaissance (Toronto Italian Studies) fb2, epub

ISBN: 080208446X
Author: Ann Doyle-Anderson,Giancarlo Maiorino
Language: English
Publisher: University of Toronto Press, Scholarly Publishing Division; First Softcover Edition edition (December 29, 2001)
Pages: 192
Category: History & Criticism
Subcategory: Literature
Rating: 4.3
Votes: 640
Size Fb2: 1641 kb
Size ePub: 1901 kb
Size Djvu: 1129 kb
Other formats: mobi azw rtf lit


Start by marking Figino, or on the Purpose of Painting . by Ann Doyle-Anderson. Published January 11th 2010 by University of Toronto Press (first published December 29th 2001).

Start by marking Figino, or on the Purpose of Painting: Art Theory in the Late Renaissance as Want to Read: Want to Read savin. ant to Read.

Of the many treatises written in Italy during the Counter-Reformation, none is more illustrative of the intellectual fermentation of the period than Comanini's work on the purpose of painting, Il Figino overo del fine della Pittura (1591).

Series: Toronto Italian Studies. Published by: University of Toronto Press. DOI: 1. 138/9781442681279. Comanini's impressive erudition makes his treatise an excellent barometer of the state of scholarship in the Counter-Reformation era. This translation is a long-overdue addition to the field of Renaissance studies. eISBN: 978-1-4426-8127-9. Subjects: Art & Art History. You are viewing the table of contents.

Toronto Italian Studies. Buffalo and Toronto: University of Toronto Press, 2001. xxii + 158 pp. index, bibl. Recommend this journal. ISBN: 0-8020-3574-4 (cl), 0-8020-8446-X (pbk). Renaissance Quarterly.

Art Theory in the Late Renaissance. Ed. by Doyle-Anderson, Ann, Maiorino, Giancarlo

Art Theory in the Late Renaissance. by Doyle-Anderson, Ann, Maiorino, Giancarlo. Series:Toronto Italian Studies. University of toronto press.

Ann Doyle-Anderson is Associate Professor, Department of Modern . Библиографические данные.

Giancarlo Maiorino is Rudy Professor of Comparative Literature, Indiana University. The Figino, Or, On the Purpose of Painting: Art Theory in the Late Renaissance Toronto Italian studies.

Similar books and articles. Deleuze on Music, Painting, and the Arts. The Purpose of Painting. Lynton Lamb - 1936 - Oxford University Press UK. Art and the Higher Life Painting and Evolutionary Thought in Late Nineteenth-Century America. Kathleen A. Pyne - 1996 - University of Texas Press. Ni Zan's Aesthetic thought of Painting. Shan Li - 2011 - Philosophy and Culture 38 (9):151-174. Théories du Portrait de la Renaissance aux Lumières. Edouard Pommier - 1998. Regarder la Peinture Une M'ethode.

Destination, rates & speeds. 2. The Figino, or On the Purpose of Painting: Art Theory in the Late Renaissance (Toronto Italian Studies). Published by University of Toronto Press, Scholarly Publishing Division (2001). ISBN 10: 0802035744 ISBN 13: 9780802035745.

Doyle-Anderson, Ann. Other Authors: Maiorino, Giancarlo. Leonardo Da Vinci's Treatise of Painting : The Story of The World's Greatest Treatise on Painting - Its Origins, History, Content, And Influence. by: Pooler, Richard Shaw. Paragone : sanatların karşılaştırılması, by: Leonardo, da Vinci, 1452-1519.

The Figino, or On the Purpose of Painting: Art Theory in the Late Renaissance. The Complete Short Stories of Natalia Ginzburg (Toronto Italian Studies). by Ann Doyle-Anderson and Giancarlo Maiorino. CDN$ 3. 0(8 used & new offers). by Natalia Ginzburg and Paul Lewis. CDN$ 65. 4(1 used & new offers). Other Formats: Paperback.

Of the many treatises written in Italy during the Counter-Reformation, none is more illustrative of the intellectual fermentation of the period than Comanini's work on the purpose of painting, Il Figino overo del fine della Pittura (1591). Although the importance of Il Figino has long been recognized, the text has remained largely inaccessible to many scholars throughout the world. This first complete English translation will make the work available to those readers for the first time.

In Il Figino, Comanini addresses all of the most hotly debated aesthetic issues of the time, drawing on an array of classical, medieval and Renaissance sources, including Plato, Aristotle, Horace, Mazzoni, Tasso and Paleotti. The editor and translator provide copious notes which clarify Comanini's aesthetic and theological references, as well as a lucid introduction that places the issues and debates in context. Comanini's impressive erudition makes his treatise an excellent barometer of the state of scholarship in the Counter-Reformation era. This translation is a long-overdue addition to the field of Renaissance studies.

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