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by Kathy D. Darrow

Download Twentieth-Century Literary Criticism: This highly useful series presents substantial excerpts from the best criticism on the major literary figures ... 1999 -- the era most frequently studied in hi fb2, epub

ISBN: 141448447X
Author: Kathy D. Darrow
Language: English
Publisher: Gale Research Inc (August 17, 2012)
Category: History & Criticism
Subcategory: Literature
Rating: 4.5
Votes: 524
Size Fb2: 1848 kb
Size ePub: 1586 kb
Size Djvu: 1668 kb
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This highly useful series presents substantial excerpts from the best criticism on the major literary figures and nonfiction writers, including novelists, poets, playwrights and literary theorists, of 1900 to 1999 - the era most frequently studied in high schools.

This highly useful series presents substantial excerpts from the best criticism on the major literary figures and nonfiction writers, including novelists, poets, playwrights and literary theorists, of 1900 to 1999 - the era most frequently studied in high schools.

Yet demands for a more ethically committed criticism have repeatedly been made, from the New Humanism of Paul Elmer More and Irving Babbitt in the United States in the 1920s, through the moralizing criticism of the Cambridge don . Leavis and of the American poet Yvor Winters, to the most recent demands for relevance. No sharp line can be drawn between academic criticism and criticism produced by authors and men of letters. Each volume presents overviews of four to eight authors with chronologically arranged criticism representing the entire range of response to each author. A typical excerpt is prefaced by an annotation that explains the critics reputation and critical philosophy and providing a synopsis of the excerpt.

English and Comparative Literature. degree granting institution. Useful Works: Literary Criticism and Aesthetic Education. Ann Arbor : ProQuest Dissertations & Theses. North, Samuel Joseph. and Columbia University. English and Comparative Literature. This dissertation identifies the scholarly alist paradigm on the basis of which most work in the discipline of English Literature now proceeds, and proposes a critical and materialist paradigm as an alternative. The first two chapters offer a new reading of the history of the discipline of English Literature.

Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Though the two activities are closely related, literary critics are not always, and have not always been, theorists.

The study of literary symbiosis, Cowart contends, can reveal much about the . Though the present study generally holds to the intertextual argument that literary originality is a myth, Defoe’s famous story comes.

eISBN: 978-0-8203-4208-5. From the flourishing literary plant Jane Eyre Rhys takes as it were a cutting, which then matures as a related but different plant. Though the present study generally holds to the intertextual argument that literary originality is a myth, Defoe’s famous story comes close to being sui generis.

In a highly selective way, excluding much in Frost’s life and poetry, Pritchard’s book is at once both and neither biographical .

In a highly selective way, excluding much in Frost’s life and poetry, Pritchard’s book is at once both and neither biographical and critical. Pritchard’s primary concern is with Frost’s achievement in poetry, which he considers apart from the poet’s concern with cultural and political subjects.

From the Back Cover Hutcheon's definition of parody is much broader than most, and I believe it is both . It is a highly sophisticated genre and has come to be almost an autonomous literary form.

In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does. Hutcheon identifies parody as a major form of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode for coming to terms with the texts and discourses of the past. Hutcheon's definition of parody is much broader than most, and I believe it is both fitting and useful.

Twentieth-Century Literature Criticism assembles critical responses to the works of 20TH-Century authors of all sorts-novelists, poets, playwrights, journalists, philosophers, political leaders, scientists, mathematicians and writers from other genres-from every region of the world. Each of the more than 240 volumes in this long-standing series profiles approximately 3-6 novelists, poets, playwrights, journalists, philosophers or other creative and nonfiction writers by providing full-text or excerpted criticism reproduced from books, magazines, literary reviews, newspapers and scholarly journals. Clear, accessible introductory essays followed by carefully selected critical responses allow end-users to engage with a variety of scholarly views and conversations about authors, works and literary topics. Introductory essays are written and entries compiled by professional literature researchers and other subject matter experts. A full citation and annotation precede each of the approximately 50 essays per volume; many include an author portrait. The series currently covers nearly 600 authors and also includes numerous entries focusing on literary topics and individual works. Students writing papers or class presentations, instructors preparing their syllabi, or anyone seeking a deeper understanding of the 20th Century will find this a highly useful resource.

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