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by Amy Sargeant

Download British Cinema: A Critical and Interpretive History fb2, epub

ISBN: 1844570657
Author: Amy Sargeant
Language: English
Publisher: British Film Institute; 2005 edition (July 13, 2005)
Pages: 384
Category: Movies
Subcategory: Humour
Rating: 4.5
Votes: 651
Size Fb2: 1778 kb
Size ePub: 1320 kb
Size Djvu: 1331 kb
Other formats: lit azw doc txt


Amy Sargeant's personal and entertaining history fills this gap.

Amy Sargeant's personal and entertaining history of British cinema aims to fill this ga.

Amy Sargeant's personal and entertaining history of British cinema aims to fill this gap. With its insightful decade-by-decade analysis, British Cinema is brought alive for a new generation of British cinema students and the general reader alike. For Sargeant, the 1960s provides an overview of the tentative relationship between film and advertising and the rise of young Turks such as Tony Richardson, Ken Loach, Donald Cammell and Nicolas Roeg.

ISBN-13: 9781844570652, 978-1844570652. British Cinema: A Critical and Interpretive History Format: Hardback

ISBN-13: 9781844570652, 978-1844570652. British Cinema: A Critical and Interpretive History Format: Hardback. Read full description. See details and exclusions. British Cinema: A Critical and Interpretive History by Amy Sargeant (Hardback, 2005). Brand new: lowest price.

British cinema: a critical history. British cinema: a critical history. British film institute. inlibrary; printdisabled; ; china. Books for People with Print Disabilities. Internet Archive Books.

Amy Sargeant is Lecturer in History of Film and Visual Media at Birkbeck College, University of London. Библиографические данные.

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Автор: Amy Sargeant Название: British Cinema: A Critical and Interpretive History ISBN: 1844570665 ISBN-13 .

British Cinema includes a wealth of detailed and pithy discussions of films usually overlooked in British cinema's canon with titles such as Fahrenheit 451, The Man Who Fell to Earth and Withnail & I. Автор: Macdonald, S. Название: Critical cinema ISBN: 0520242718 ISBN-13(EAN): 9780520242715 Издательство: Wiley Рейтинг

Download "BRITISH CINEMA 2014. Professor: Dr. Amy Sargeant.

Download "BRITISH CINEMA 2014. the major features of the cinematic institution in the UK some of the major critical and theoretical paradigms for academic study of cinema students will develop skills in the reading and analysis of film texts and film criticism Method of Study The class proceeds by way of a weekly screening, lecture and seminars.

Learn about the history and development of cinema, from the Kinetoscope in 1891 to today’s 3D revival. While cinemas had some success in fighting the competition of television, they never regained the position and influence they once held, and over the next 30 years audiences dwindled. By 1984 cinema attendances in Britain had sunk to one million a week. Since then, however, that figure has nearly trebled with the growth of out-of-town multiplex cinemas following the building of the first British multiplex at Milton Keynes in 1985.

The United Kingdom has had a significant film industry for over a century. While film production reached an all-time high in 1936, the "golden age" of British cinema is usually thought to have occurred in the 1940s, during which the directors David Lean, Michael Powell, (with Emeric Pressburger) and Carol Reed produced their most critically acclaimed works

Although new writing and research on British cinema has burgeoned over the last fifteen years, there has been a continued lack of single-authored books providing a coherent overview to this fascinating and elusive national cinema. Amy Sargeant's personal and entertaining history of British cinema aims to fill this gap. With its insightful decade-by-decade analysis, British Cinema is brought alive for a new generation of British cinema students and the general reader alike. Sargeant challenges Rachel Low's premise 'that few of the films made in England during the twenties were any good' by covering subjects as diverse as the art of intertitling, the narrative complexities of Shooting Stars and Brunel's burlesques. Sargeant goes onto examine among other things, the differing acting styles of Dietrich and Donat in the seminal Knight Without Armour to early promotional campaigns in the 1930s, whereas subjects ranging from product endorsement by stars to the character of the suburban wife are covered in the 1940s. The 1950s includes topics such as the effect of post-war government intervention, to Free Cinema and Lindsay Anderson's 'infuriating lapses of rigour', together with a much-needed overview of Michael Balcon's contribution to British cinema. For Sargeant, the 1960s provides an overview of the tentative relationship between film and advertising and the rise of young Turks such as Tony Richardson, Ken Loach, Donald Cammell and Nicolas Roeg.

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