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Download Silver Speaks: Traditional Jewelry of the Middle East fb2, epub

by Joyce Diamanti

Download Silver Speaks: Traditional Jewelry of the Middle East fb2, epub

ISBN: 0972506608
Author: Joyce Diamanti
Language: English
Publisher: The Bead Society of Greater Washington; First edition (September 2002)
Pages: 47
Category: Crafts & Hobbies
Subcategory: Home
Rating: 4.7
Votes: 362
Size Fb2: 1679 kb
Size ePub: 1963 kb
Size Djvu: 1904 kb
Other formats: lrf lit azw docx


Color photos throughout. Goodreads helps you keep track of books you want to read. Start by marking Silver Speaks: Traditional Jewelry Of The Middle East as Want to Read: Want to Read saving.

Color photos throughout. Start by marking Silver Speaks: Traditional Jewelry Of The Middle East as Want to Read: Want to Read savin. ant to Read.

Silver Speaks: Traditional Jewelry of the Middle East", The Bead Museum in Washington, .

Nowadays, silver products have become more plenteous than the copper and iron once used in the past. see Ḥibshūsh 1983, pp. 86–87).

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Marjorie Ransom's exhibit, "Silver Speaks: the Traditional Jewelry of the Middle East," which includes costumes as well as 250 pieces of silver jewelry, has been on tour since its debut at the Bead Museum in Washington, DC in 2003. It also has been shown at the Jefferson County Historical Society in Watertown, New York, and the Gibson Gallery at the State University of New York in Potsdam.

Desert Silver: Nomadic and Traditional Silver Jewellery From the Middle East and North Africa. The book introduces the reader to the culture of the Tuaregs, a remarkable group of African nomads of the Sahara Desert, which has fascinated the Europeans who came into contact with them in the nineteenth and twentieth centuries.

Book: Silver Speaks Traditional Jewelry of the Middle East Diamanti Bead Society.

Metropolitan Museum of Art (New York). Retrieved 1 August 2017.

In the Middle East, most Bedouin tribes before the first centuries AD were polytheistic, but some .

The wearing of jewelry was a very popular decorative act for women in the region long before Islam became an influential way of life and it is from the Berbers, Bedouins and other native people of the Middle East that such trends derive.

This handsomely illustrated publication of the Bead Society of Greater Washington serves as a companion book to the exhibition "Silver Speaks: Traditional Jewelry of the Middle East," co-curated by Ellen N. Benson and Marjorie Ransom, shown at The Bead Museum in Washington, D.C., October 27, 2002, to August 26, 2003. The book extends the show's reach and enhances understanding of the rich cross-cultural heritage represented in these age-old forms of personal adornment. More than 50 photographs by Dr. Robert K. Liu, co-editor of Ornament magazine render in exquisite detail the beauty and diversity of traditional jewelry from Oman, Yemen, Saudi Arabia, Syria, and Egypt. Drawn from the collection of Marjorie Ransom, who assembled the pieces over three decades as a student and diplomat in the Arab world, these eloquent silver ornaments are an enduring testament to a way of life that is disappearing in the rapidly evolving Middle East. The book presents these treasures in the context of that traditional way of life. Author Joyce Diamanti tells the story of the women who wore them and the men who made them-Muslims, Jews, and Christians-people who lived settled lives in cities, towns, and villages, as well as itinerant traders and craftsmen, and nomadic Bedouin who roamed these arid regions in search of pasture for their herds. In surveying local and regional jewelry traditions, she examines the many exotic influences that throughout history have impacted and shaped personal adornment in this crossroads of continents and cultures.

In a perceptive curator's statement, Ellen Benson looks at the Silver Speaks exhibition and companion book as significant firsts in the continuum of the Society's and the Museum's longstanding interest in ethnic jewelry as manifested in earlier exhibits and educational programs. She seeks to foster appreciation of this silver folk jewelry by placing Middle Eastern traditions of personal adornment within the larger field of Islamic ornamentation and culture.

In the Introduction, Shelagh Weir, former curator at the British Museum and presently a Senior Research Associate at the School of Oriental and African Studies in London, focuses on the many functions this jewelry once had in the lives of women in the Middle East, where it could proclaim a woman's marital status, assert her ethnic identity, display her family's wealth, providing her financial security, enhance her feminine allure, promote her health, and protect her from misfortune. In two textual contributions, Robert Liu covers tools, materials, and techniques used by Middle Eastern silversmiths and examines recurring shapes and patterns in traditional silver jewelry and the meanings of these motifs.

Comments:

ZloyGenii
I searched for a book on Touareg jewelry and this was one of two books that Amazon found. Since it was much less expensive than the other and Amazon said it had Touareg jewelry in it, I ordered it. It has NO Touareg jewelry in it and I do not feel like spending time and money to send it back. Shame on you, Amazon! Note that the book itself is very good and knowledgeable about the origins and history of the jewelry it talks about as well as the techniques that are used to make it (although it is a bit short on the details about those techniques).
Malogamand
My view departs from that of the majority. The book contains a number of very fine pieces including a number hard to find elsewhere: this is important to collectors. As well, the text which is offered is very good. Yes, the book is thin: but the quality of it is good.
Captain America
heopful source
Clever
For the size of this book, I am disappointed. It is skimpy, in a word. I did not realize it was a book that accompannied a museum exhibit. I was expecting more breadth; because of this, I think this book it too expensive for what it offers.
Nenayally
The photos are beautiful and they make us want to go back to the Middle East to buy more jewellery. However, I was disappointed at the small number of pages in the book, considering the price.

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