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Download I Remember: Eighty Years of Black Entertainment, Big Bands, and the Blues fb2, epub

by John F. Szwed,Sheldon Harris,Clyde E. B. Bernhardt

Download I Remember: Eighty Years of Black Entertainment, Big Bands, and the Blues fb2, epub

ISBN: 0812280180
Author: John F. Szwed,Sheldon Harris,Clyde E. B. Bernhardt
Language: English
Publisher: University of Pennsylvania Press; 1St Edition edition (July 1, 1986)
Pages: 292
Category: Arts & Literature
Subcategory: Biography
Rating: 4.5
Votes: 860
Size Fb2: 1574 kb
Size ePub: 1307 kb
Size Djvu: 1671 kb
Other formats: lrf mbr docx azw


Clyde E. B. Bernhardt (Author), John F. Szwed (Foreword), Sheldon Harris (Contributor) & 0 more. Clyde E. Bernhardt is a jazz trombonist and blues singer. Sheldon Harris is a freelance jazz journalist and author.

Clyde E.

by Clyde E. Bernhardt(Author), Sheldon Harris(Contributor), John F. Szwed(Foreword) & 0 more. He started his own band, the Blue Blazers, in 1946 and formed the Harlem Blues and Jazz Band in 1972. The book is a primary document that provides information about a part of the history of American music for which there is little documentation.

Bernhardt, Clyde E. B; Harris, Sheldon. Bernhardt, Clyde E. B, Jazz musicians. Philadelphia : University of Pennsylvania Press. inlibrary; printdisabled; ; china. Bernhardt. Foreword by John F. Szwed. I remember so clearly the funny blackface minstrel shows I watched in 1909 and 1910, the brass bands, the blues singers, ragtime bands, the early black (and white, too) stage shows, circuses, and carnivals. Published by: University of Pennsylvania Press. Some had black entertainers and musicians I recall as being very, very good Save.

Foreword by Szwed, John F. In coop. with Harris, Sheldon. Bernhardt (1986). See all formats and pricing. Publication Date: August 2015. Please find details to our shipping fees here. RRP: Recommended Retail Price. I Remember: Eighty Years of Black Entertainment, Big Bands, and the Blues (pp. 231–248). Philadelphia: University of Pennsylvania Press. Online ISBN: 9781512801781.

I Remember Eighty Years of Black Entertainment, Big Bands . Eighty Years of Black Entertainment, Big Bands, and the Blues. An autobiography by jazz trombonist and blues singer Clyde E. Bernhardt as told to Sheldon Harris.

1986: Clyde E. Bernhardt, Sheldon Harris, I Remember: Eighty Years of Black Entertainment, Big Bands, and the Blues, 1986, University of Pennsylvania Press, ISBN 9780812212235. 1979: Sheldon Harris, Blues Who's Who: A Biographical Dictionary of Blues Singers, Arlington House, ISBN 0870004255. a b "Finding Aid for the Sheldon Harris Collection (MUM00682)", University of Mississippi Libraries, Archives & Special Collections.

Black Perspective in Music. Starks, George L. Jr. (1987) I Remember! Eighty Years of Black Entertainment, Big Bands, and the Blues, by Clyde E. Bernhardt, as told to Sheldon Harris. View it in the Music Periodicals Database.

I Remember: Eighty Years of Black Entertainment, Big Bands, and the Blues by. Clyde . Bernhardt, Sheldon Harris (With). John F. Szwed (Foreword).

Clyde E. Bernhardt, Sheldon Harris, I Remember: Eighty Years of Black Entertainment, Big Bands, and the Blues, page 61, 1986 . Bernhardt, Sheldon Harris, I Remember: Eighty Years of Black Entertainment, Big Bands, and the Blues, page 61, 1986, University of Pennsylvania Press, ISBN 9780812212235. php?title Clyde Bernhardt&oldid 882519402".

I Remember is a first-hand account of the world of black American music told by a man who has been part of that world for eighty years. Clyde E. B. Bernhardt worked with a number of bands, including King Oliver, Marion Hard, Cecil Scott, the Bascomb Brothers, and Joe Garland. He started his own band, the Blue Blazers, in 1946 and formed the Harlem Blues and Jazz Band in 1972.

The book is a primary document that provides information about a part of the history of American music for which there is little documentation.

Comments:

Cozius
First-person account of life in the jazz clubs and on the road in the mid-20th century. Bernhardt gives an unaffected, often humorous account of his experiences. An enjoyable read, with invaluable insights into jazz culture, stories of road trips in jam-packed cars, band camaraderie (or lack of it), and relationships with managers, club owners, and recording execs. This is not an analytical book about the music, it is the view from on the ground, one man's life in jazz. Highly recommended.
Tekasa
un bouquin pour les jazz fans only, Clyde avait une mémoire d'éléphant et ses anecdotes sont toutes pertinentes et savoureuses.

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