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by Mel Gussow,Harold Pinter

Download Conversations with Pinter fb2, epub

ISBN: 0879101792
Author: Mel Gussow,Harold Pinter
Language: English
Publisher: Limelight Editions; Limelight ed. edition (August 1, 2004)
Pages: 157
Category: Performing Arts
Subcategory: Art
Rating: 4.1
Votes: 848
Size Fb2: 1143 kb
Size ePub: 1318 kb
Size Djvu: 1653 kb
Other formats: doc azw lrf lrf


Pinter and Gussow first meet in 1971, when Old Times is a new play and Pinter's status as a major writer is still being confirmed. Then come public and private conversations in the eighties, when the voice of Pinter's political commitment is first heard.

Pinter and Gussow first meet in 1971, when Old Times is a new play and Pinter's status as a major writer is still being confirmed. And finally, over a period of a week in September 1993, the two talk after the London premiere of Pinter's latest play, Moonlight. Here the playwright is in a more mellow mood, happy to contemplate his early life and to admit to a political agenda behind such plays as The Birthday Party.

Conversations with Pinter. To read this book, upload an EPUB or FB2 file to Bookmate.

Harold Pinter, Conversations with Pinter - conducted by Mel Gussow originally as interviews and later changed to conversations due to their length and informality - is a book well worth reading

Harold Pinter, Conversations with Pinter - conducted by Mel Gussow originally as interviews and later changed to conversations due to their length and informality - is a book well worth reading. From 1971 till the last conversation in 1993, Gussow met Pinter on and off and asked him all sorts of questions about his playwriting, poetry, scriptwriting, directing, acting and political views, and about the earliest failures, later successes and an occasional question about Pinter’s much private life. Harold Pinter, who grew up a poor Jew towards the end of World War II in east London, dropped out.

Find many great new & used options and get the best deals for Conversations with Pinter by Mel Gussow (2002 . Publisher: Nick Hern Books ISBN 13: 9781854592064. Title: Conversations with Pinter Item Condition: used item in a very good condition.

Publisher: Nick Hern Books ISBN 13: 9781854592064. Показать все 2 объявления с подержанными товарами.

Characteristics of Harold Pinter's work identifies distinctive aspects of the works of the British playwright Harold Pinter (1930–2008) and gives an indication of their influence on Anglo-American culture. Harold Pinter wurde 1930 in London geboren

Conversations with Pinter. By (author) Mel Gussow, By (author) Harold Pinter. Harold Pinter wurde 1930 in London geboren. Er war nach seiner Ausbildung an der Royal Academy of Dramatic Art bis 1957 Schauspieler an diversen Provinzbühnen.

Title : Conversations with Pinter. Product Category : Books. item 2 Conversations With Pinter by Gussow, Mel Paperback Book The Cheap Fast Free Post -Conversations With Pinter by Gussow, Mel Paperback Book The Cheap Fast Free Post. item 3 Conversations with Pinter, Gussow, Mel, Good Condition Book, ISBN 9781854592064 -Conversations with Pinter, Gussow, Mel, Good Condition Book, ISBN 9781854592064. item 4 Conversations With Pinter, Gussow, Mel, Used; Good Book -Conversations With Pinter, Gussow, Mel, Used; Good Book.

An invaluable insight in Pinter's life and work . A vital companion to his work' The Times. We're unlikely to get a better insight' Sheridan Morley. Imprint: Nick Hern Books. 99 £. 9You save £. 0 (50%). Tags: Biography & general Profiles. The only collection of Tynan's star-studded profiles. London: Nick Hern Books, 1994.

For more than twenty years, Mel Gussow, a drama critic for the New York Times, has been meeting Harold Pinter to talk about work and life, plays and people. At the core of this book is a series of lengthy interviews - some of the most extensive that Pinter has ever given - all published here in full for the first time.

For more than twenty years, Mel Gussow, a drama critic for the New York Times, has been meeting Harold Pinter to talk about work and life, plays and people. At the core of this book is a series of lengthy interviews - some of the most extensive that Pinter has ever given - all published here in full for the first time. Pinter and Gussow first meet in 1971, when Old Times is a new play and Pinter's status as a major writer is still being confirmed. Then come public and private conversations in the eighties, when the voice of Pinter's political commitment is first heard. And finally, over a period of a week in September 1993, the two talk after the London premiere of Pinter's latest play, Moonlight. Here the playwright is in a more mellow mood, happy to contemplate his early life and to admit to a political agenda behind such plays as The Birthday Party. Through these and other revealing insights, he allows us to see the complete arc of his work to date in its true light. The resulting book is one of the most thoughtful and intimate portraits of the writer yet to appear. In fact, it is a kind of self-portrait, since, intentionally, it is Pinter who does most of the talking. Though famously reticent on the subjects of his work and his private life, Pinter opens up for Gussow in a manner both beguilingly frank and refreshingly informative.

Comments:

Dibei
Fascinating, wide-ranging conversations rather than formal interviews -- even Pinter said that, surprised at how easy and effortless talking with Gussow turned out to be. An excellent companion piece to Pinter's collected works and Antonia Fraser's memoir.
Thetalen
Found this book a very quick read. Loved having it on my Kindle where I could pick up in the conversation at any point. Great for Pinter lovers.
Rainshaper
In a series of interviews between 1971 and 1993 Gussow (longtime _New York Times_ drama critic, who also coaxed a fascinating set of comments from Tom Stoppard) got Pinter to talk about how he works. Pinter refuses to comment on what his work "means," but is eager to clear the air about misperceptions about himself (such as being in a chronic state of outrage). Pinter comes across as generous as well as politically committed, suspicious of audiences, but grateful to (fellow) actors. And he clearly has a sense of humor (too rarely appreciated in his plays).

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