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Download Yes? No! Maybe…: Seductive Ambiguity in Dance fb2, epub

by Emilyn Claid

Download Yes? No! Maybe…: Seductive Ambiguity in Dance fb2, epub

ISBN: 041537247X
Author: Emilyn Claid
Language: English
Publisher: Routledge; 1 edition (May 27, 2006)
Pages: 256
Category: Performing Arts
Subcategory: Art
Rating: 4.6
Votes: 674
Size Fb2: 1452 kb
Size ePub: 1150 kb
Size Djvu: 1784 kb
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Seductive Ambiguity in Dance" (Emilyn Claid) для скачивания! Covering fifty years of British dance, from Margot Fonteyn to innovative . May be you will be interested in other books by Emilyn Claid: Yes? No!

Seductive Ambiguity in Dance" (Emilyn Claid) для скачивания! Covering fifty years of British dance, from Margot Fonteyn to innovative contemporary. Seductive Ambiguity in Dance by Emilyn Claid. newSpecify the genre of the book on their own. Author: Emilyn Claid. No user reports were added yet. Be the first! Send report: This is a good book.

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seductive ambiguity in dance. Published 2006 by Routledge in Milton Park, Abingdon, Oxon, New York. Audiences, Dance, Gender identity in dance, History, Philosophy, Psychological aspects, Psychological aspects of Seduction, Seduction, Social aspects, Social aspects of Dance. Includes bibliographical references.

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Emilyn Claid, "Yes? . Yes? No! Mayb. s a book about performing and watching dance.

Emilyn Claid, "Yes? No! Mayb. Using a unique combination of historical, academic and autobiographical voices, it covers fifty years of British dance, from Margot Fonteyn in the 1950s to innovative contemporary practitioners such as Wendy Houstoun, Nigel Charnock, Lloyd Newson, Javier DeFrutos and Fin Walker.

No! Maybe is an innovative approach to performing and watching dance. Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing. Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance’s legacy

Covering fifty years of British dance, from Margot Fonteyn to innovative contemporary practitioners such as Wendy Houstoun and Nigel Charnock, Yes? No! Maybe is an innovative approach to performing and watching dance.

Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing.

Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance’s legacy. She explores the shifts in performer-spectator relationships, and investigates questions of subjectivity, absence and presence, identity, gender, race and desire using psychoanalytical, feminist, postmodern, post-structuralist and queer theoretical perspectives.

Artists and practitioners, professional performers, teachers, choreographers and theatre-goers will all find this book an informative and insightful read.

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