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by Jonathan Pieslak

Download Radicalism and Music: An Introduction to the Music Cultures of al-Qa’ida, Racist Skinheads, Christian-Affiliated Radicals, and Eco-Animal Rights Militants fb2, epub

ISBN: 0819575844
Author: Jonathan Pieslak
Language: English
Publisher: Wesleyan University Press (November 3, 2015)
Pages: 352
Category: Music
Subcategory: Art
Rating: 4.4
Votes: 762
Size Fb2: 1297 kb
Size ePub: 1458 kb
Size Djvu: 1375 kb
Other formats: lit txt docx azw


His forthcoming book, Radicalism and Music, examines the music cultures of Al Qaeda, racist skinheads .

His forthcoming book, Radicalism and Music, examines the music cultures of Al Qaeda, racist skinheads, radicals, and eco/animal-rights militants. Ursula Lindsey, Chronicle of Higher Education, interviewed for the article "The Ties that Bind Jihadists". Espousing of violence is common to many. The subtheme of music and its relationship to the Internet provides important groundwork for thinking of music as a particular ‘information technology’ without divorcing it from its ritual function.

Radicalism and Music book. Goodreads helps you keep track of books you want to read. Start by marking Radicalism and Music: An Introduction to the Music Cultures of Al-Qa'ida, Racist Skinheads, Radicals, and Eco-Animal Rights Militants as Want to Read: Want to Read savin. ant to Read. Radicalism and Music:.

352 pp. Middletown, CT: Wesleyan University Press, 2015. 352 pp. Volume 37 Issue 1 - Kirsten Dyck. Do you want to read the rest of this article? Request full-text.

Racist Skinheads, Radicals, and Eco-Animal Rights Militants .

By Wolters-Fredlund, Benita. For Radicalism & Music, Pieslak has chosen to examine four communities and their music, case studies of which make up the first four chapters of the book: (1) al-Qa'ida and jihad-themed anashid; (2) racist skinheads, especially the Hammerskin Nation, and emed punk, Oi!, hardcore, metal, and "softer" styles; (3) a group Pieslak calls d Radicals" that includes the.

Ultimately, Radicalism and Music shows how music affects us through our . Radicalism and Music offers a convincing argument for music's.

Ultimately, Radicalism and Music shows how music affects us through our emotions, and how it triggers violence and enables hateful ideology. oceedings{mAM, title {Radicalism and Music: An Introduction to the Music Cultures of al-Qa'ida, Racist Skinheads, Radicals, and Eco-Animal Rights Militants}, author {Jonathan R. Pieslak}, year {2015} }. Jonathan R. Pieslak. Radicalism and Music offers a convincing argument for music's transformational impact on the radicalization, reinforcement, and motivational techniques of violent political activists.

By Jonathan Pieslak Pieslak, J. 2009. Sound Targets: American Soldiers and Music in the Iraq War (Bloomington, IN, Indiana University Press). Recommend this journal

352 pp. James Madison University. Recommend this journal.

Anwar al-Awlaqi, Militant Imam, al-Qa’ida Operative. Prelude: A "Lone Wolf". To begin our exploration of music within radical cultures, this chapter examines the music of militant Islam, focusing primarily on the role of jihad-themed anashid in the media and culture of al-Qa’ida. After addressing the ambiguities and debates on permissible music in Islam, the chapter explores the history of anashid, the jihadi texts, and the genre’s musical characteristics.

Radicalism and Music: An Introduction to the Music Cultures of al-Qa’ida, Racist Skinheads, Radicals, and Eco-Animal Rights Militants. Published: 17 December 2018. by Equinox Publishing. Perfect Beat, Volume 19, pp 94-96; doi:10.

A comparative study of the music cultures of four radical groups .

A comparative study of the music cultures of four radical groups Radicalism and Music offers a convincing argument for music's transformational impact on the radicalization, reinforcement, and motivational techniques of violent political activists. But, as the book points out, the coercive use of music is not isolated to radical cultures, but in political propaganda, sporting events, and popular music as well. Ultimately, Radicalism and Music shows how music affects us through our emotions, and how it triggers violence and enables hateful ideology.

ONE Al-Qa'ida Culture and Anashid. TWO The Music of Racist-Skinhead Culture. INTERLUDE Race Faiths and Music - The Intersection of White Supremacy and Christianity. THREE Radicalism and Music. FOUR The Music Cultures of Radical Environmental and Animal Rights Activism. FIVE Understanding Music's Roles in Radical Culture. APPENDIX Hardline Manifesto.

Radicalism and Music offers a convincing argument for music’s transformational impact on the radicalization, reinforcement, and motivational techniques of violent political activists. It makes a case for the careful examination of music’s roles in radical cultures, roles that have serious impacts, as evidenced by the actions of the Frankfurt Airport shooter Arid Uka, Sikh Temple murderer Wade Page, white supremacist Matthew Hale, and animal-rights activist Walter Bond, among others. Such cases bring up difficult questions about how those involved in radical groups can be stirred to feel or act under the influence of music. Radicalism and Music is based on interviews, email correspondence, concerts, and videos. As a “sound strategy,” music is exploited to its fullest potential as a tool for recruiting and retaining members by members of al-Qa’ida, the Hammerskin Nation, Christian Identity, Kids in Ministry International, Earth First!, and Vegan Straight Edge. But, as the book points out, the coercive use of music is not isolated to radical cultures, but in political propaganda, sporting events, and popular music as well. Ultimately, Radicalism and Music shows how music affects us through our emotions, and how it triggers violence and enables hateful ideology.

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