ISBN: 0674006739
Author: Joseph Kerman
Language: English
Publisher: Harvard University Press (December 7, 2001)
Pages: 192
Category: Music
Subcategory: Art
Rating: 4.4
Votes: 932
Size Fb2: 1223 kb
Size ePub: 1297 kb
Size Djvu: 1680 kb
Other formats: mbr doc lrf rtf
The concerto has attracted relatively little attention as a genre, Joseph Kerman observes, and his urbane and . The CD of concerto movements that comes with this book is, of course, useless until you convert it to MP3 files.
The concerto has attracted relatively little attention as a genre, Joseph Kerman observes, and his urbane and wide-ranging Norton Lectures fill the gap in a way that will delight all music listeners. Kerman addresses the full range of the concerto repertory.
The concerto has attracted relatively little attention as a genre, Joseph Kerman observes . Series: Charles Eliot Norton Lectures (Book 1997). In typical fashion, Kerman begins not with a preface of introduction but with a chapter on beginnings. There is a general division of the dynamic between soloist and orchestra into the concepts of "reciprocity" versus "polarity," but the book is really more a collection of highly individual observations about specific concertos.
The Charles Eliot Norton Professorship of Poetry at Harvard University was . Concerto Conversations.
The Charles Eliot Norton Professorship of Poetry at Harvard University was established in 1925 as an annual lectureship in "poetry in the broadest sense" and named for the university's former professor of fine arts. Distinguished creative figures and scholars in the arts, including painting, architecture, and music deliver customarily six lectures.
Concerto Conversations book The concerto has attracted relatively little attention as a genre, Joseph Kerman observes, and his urbane and wide-ranging Norton Lectures fill.
Concerto Conversations book. Start by marking Concerto Conversations: With a 68-Minute CD as Want to Read: Want to Read savin. ant to Read. The concerto has attracted relatively little attention as a genre, Joseph Kerman observes, and his urbane and wide-ranging Norton Lectures fill the gap in a way that will delight all music listeners. Kerman addresses the full range of the concerto repertory, treating both the general and the particular.
Concerto Conversations: With a 68-minute CD (Charles Eliot Norton Lectures).
Series: Charles Eliot Norton Lectures (1997-1998). The concerto has attracted relatively little attention as a genre, Joseph Kerman observes, and his urbane and wide-ranging Norton Lectures fill the gap in a way that will delight all music listeners
Series: Charles Eliot Norton Lectures (1997-1998). Kerman addresses the full range of the concerto repertory, treating both the general and particular.
Concerto Conversations Joseph Kerman The concerto has attracted relatively . Charles Eliot Norton Lectures 7 x 91/4 47 musical examples, 10 halftones, 4 diagrams 192 pp. keywords.
Concerto Conversations Joseph Kerman The concerto has attracted relatively little attention as a genre, Joseph Kerman observes, and his urbane and wide-ranging Norton Lectures fill the gap in a way that will delight all music listeners. The CD packaged with the book contains movements from works that Kerman treats most intensively – by Bach, Mozart, Beethoven, Liszt, Tchaikovsky, Bartók, Stravinsky, and Prokofiev.
Charles Eliot Norton Lectures. Template:Distinguish2 The Charles Eliot Norton Professorship of Poetry at Harvard University was established in 1925 as an annual lectureship in "poetry in the broadest sense" and named for the university's former professor of fine arts. Many but not all of the Norton Lectures have subsequently been published by the Harvard University Press. The following table lists all the published lecture series, with academic year given and year of publication, together with unpublished lectures as are known. Titles under which the lectures were published are not necessarily titles under which they were given.
Great Courses The Concerto Guidebook AUDIO CD Lectures Teaching Company.
The Great Courses, The Concerto, Complete 24 CD Set & 3 Guide Books. Great Courses The Concerto Guidebook AUDIO CD Lectures Teaching Company.
Concerto Conversations: With a 68-minute CD (Charles Eliot Norton Lectures): ISBN 9780674158917 .
Concerto Conversations: With a 68-minute CD (Charles Eliot Norton Lectures): ISBN 9780674158917 (978-0-674-15891-7) Hardcover, Harvard University Press, 1999. E-Book for Listen 7e & 6-CD Set & Companion DVD. ISBN 9780312604059 (978-0-312-60405-9) Bedford/St. Find signed collectible books: 'E-Book for Listen 7e & 6-CD Set & Companion DVD'. Coauthors & Alternates.
The concerto has attracted relatively little attention as a genre, Joseph Kerman observes, and his urbane and wide-ranging Norton Lectures fill the gap in a way that will delight all music listeners. Kerman addresses the full range of the concerto repertory, treating both the general and the particular. His perceptive commentary on individual works--with illustrative performances on the accompanying CD--is alive with enthusiasm, intimations, and insights into the spirit of concerto.
Concertos model human relationships, according to Kerman, and his description of the conversation between solo instrument and orchestra brings this observation vividly to life. What does the solo instrument do when it first enters in a concerto? How do composers balance claims of solo-orchestra contrast and solo virtuosity? When do they deploy the sumptuous musical textures that only concertos can provide? Kerman's unexpected answers offer a new understanding of the concerto and a stimulus to enhanced listening.
In language that the Boston Globe's Richard Dyer calls "always delightfully vivid," Kerman conducts readers and listeners into the conversations that concertos so eloquently enact. Amid the musical forces at play, he renews the dialogue of music lovers with the language of the concerto--the familiar, the lesser-known, the cherished, and the undervalued. The CD packaged with the book contains movements from works that Kerman treats most intensively--by Bach, Mozart, Beethoven, Liszt, Tchaikovsky, Bartók, Stravinsky, and Prokofiev.
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