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by Elijah Wald

Download Josh White: Society Blues fb2, epub

ISBN: 0415942047
Author: Elijah Wald
Language: English
Publisher: Routledge (June 30, 2002)
Pages: 374
Category: Music
Subcategory: Art
Rating: 4.6
Votes: 920
Size Fb2: 1561 kb
Size ePub: 1802 kb
Size Djvu: 1605 kb
Other formats: mbr docx mbr doc


Society Blues incorporates a skillful and thought-provoking critique of the ideological presuppositions that guide . I learned things about Josh White from this detailed biography that I never knew.

Society Blues incorporates a skillful and thought-provoking critique of the ideological presuppositions that guide the promotion of authenticity. Wald achieves this goal by sticking to the details of White's career, not generalizing about its implications, yet the point comes across with clarity and conviction. ―David Sanjek, American Studies. affectionate, careful biography. ―The Washington Post. Elijah Wald has done a fine job. This is a more complete and fair book than I would have believed possible. From the Inside Flap.

Josh White: society blues. Elijah Wald wrote on music for the Boston Globe for 15 years. He is the author of Narcocorrido: A Journey into the Music of Drugs, Guns, and Guerrillas

Josh White: society blues. Author/musician Wald presents a sympathetic yet balanced biography of pop-blues-folk star Josh White (1914-69). The rise to fame of the Piedmont blues stylist is clearly charted, starting with his. He is the author of Narcocorrido: A Journey into the Music of Drugs, Guns, and Guerrillas. Harper Collins/RAYO, 2001, and coauthor of Mississippi: River of Song, which accompanied a PBS series for which he served as a consultant.

Elijah Wald – Writer, Musician. It includes a brief bio and pages about my various books (mostly music-related, though Riding with Strangers is about a cross-country hitchhiking trip).

Joshua Daniel White (February 11, 1914 – September 5, 1969) was an American singer, guitarist, songwriter, actor and civil rights activist. He also recorded under the names Pinewood Tom and Tippy Barton in the 1930s. White grew up in the South during the 1920s and 1930s. He became a prominent race records artist, with a prolific output of recordings in genres including Piedmont blues, country blues, gospel music, and social protest songs.

Выделяйте текст, добавляйте закладки и делайте заметки, скачав книгу "Josh White: Society Blues" для .

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First Published in 2002. Goodreads helps you keep track of books you want to read. Start by marking Josh White: Society Blues as Want to Read: Want to Read savin. ant to Read.

Josh White, J. became, a 'hit' literally over night at the age of four, by performing with his legendary father . became, a 'hit' literally over night at the age of four, by performing with his legendary father JOSH WHITE one night at New York's famed "Café Society" night club (America's first integrated nightclub). For the next five years, Josh, Jr. performed with his father from New York to Boston to Philadelphia. A biography on his father’s life, JOSH WHITE Society Blues, by Elijah Wald, was released by the University of Massachusetts Press, followed by Josh joining Mr. Wald on a national book signing tour.

A gifted and charismatic entertainer, Josh White (1914-1969) was one of the best-known folk-blues artists of his da. First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

A gifted and charismatic entertainer, Josh White (1914-1969) was one of the best-known folk-blues artists of his day. In the early 1960s, one survey ranked him a. .

The book Josh White: Society Blues by Elijah Wald lists: "Hold On" (traditional, led by Josh White). Josh White: Society Blues. Little Man on a Fence" (written and sung by Josh White). p. 116. Retrieved 18 January 2019.

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Comments:

godlike
This is a thoroughly and carefully researched, definitive study of Josh White, his music, and his times. I first heard White perform in a small New England church in the summer of 1957 where I'd been taken by my 13-year-old friend Dirk and his Quaker-lefty mother Meg. It must have been during the period that White was still blackballed by McCarthyism and anti-communist hysteria. Later I got hold of his LP with Big Bill Broonzy and listened to it many times. The book reveals how much of a professional and popularly successful musician and singer he was in the 1930s and 1940s, and how connected to the New York music scene, not to mention the Roosevelt White House. People including Roosevelt loved and respected him on many levels. The book is rich in incidents and anecdotes, many involving everyone else you may ever have heard of (or not) from that era of blues and other black music, folk, and even some Broadway--Leadbelly, Paul Robeson, Pete Seeger, Woodie Guthrie, Blind Lemon Jefferson, many others. A great book for understanding the times and the political and social context of folk/blues/popular music. Surprising to me how much Josh White was at the center of it all.
Conjuril
Another must read from Elijah Wald. I say this not just as a Blues fan or music collector, though through this book I did discover a major player so to speak in the realm of acoustic Blues guitar. Indeed, this thrilling and moving biography is enlightning on many levels. It sheds light on a gaping hole in the blues/folk continuum that led to the big Folk revival of the 60's. That missing link is Josh White himself and his gripping story is a stunning saga
weaving brutal racism, the fear based politics of hysterical anti-Communism,
the making and breaking of trends in Pop culture. Through this soulful, intimate portrait, Josh White truly emerges, warts and all as an ignored national treasure.
Wald analyses brilliantly the mechanics of trends, public image and perceptions,
that contributed to collective amnesia regarding a first rate but outspoken Blues and Folk artist. This book is also more than a compelling slice of American history as it reveals the dramatic struggle of a dignified artist against much odds.
Highly recommended.
Shak
Josh White was a wonderful human being who didn't see the world in terms of color or political ideologies. There were many chapters to his life. He was raised in a God-fearing, respectable home, took to leading blind Bluesmen across the south and collecting change for them, while being abused, became a Blues star in the 1930s, a darling of the folk scene in New York City, a man whose talent and humanity were rejected because of his supposed connection to Communism, and there is a great more to tell. Unfortunately, the left perceived him to be a sell-out, and the right kept hounding him about his supposed ties to Communist groups. He gladly answered their questions each time, because he had nothing to hide, but this made him seem like a traitor to the hardcore left wing community. In Europe, he was a superstar, performing in front of thousands, and a very dear friend of Franklin and Eleanor Roosevelt. In the 1960s, it was very hard for him to find work in America, both because of the previous decade's scare over Communism and Josh's supposed softcore Blues, which many white Blues enthusiasts who supported the Blues Revival were not interested in. Josh was a man who always took care of his family, and although he had many affairs with women of all shapes, sizes, and races, he loved his wife dearly. I cried while reading the end of this book. Any and every American should read this book cover to cover, and also own the Yazoo dvd of his performances, which is five-star material, in which every facet of this man's act is meticulously planned and pulled off magnificently. He is an unforgettable individual who paved the way for countless black entertainers of a much lower quality.
Akta
It's a shame that so little is made of Josh White these days. He was a seminal figure in the early folk boom, an accomplished Piedmont style bluesman, and one of the most popular folk artists of his time. In his early days he backed Leroy Carr and recorded some fine blues. Later he fell in with the New York folk scene recording for Moe Asch. During this period he recorded with the Almanac Singers, Leadbelly and the Union Boys. His later Electra records were part of most folk enthusiasts collections. Elijah Wald did a great service in writing this book, shedding much needed light on a vital but overlooked career.

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