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by Kenneth Levy

Download Gregorian Chant and the Carolingians fb2, epub

ISBN: 0691017336
Author: Kenneth Levy
Language: English
Publisher: Princeton University Press (February 9, 1998)
Pages: 296
Category: Music
Subcategory: Art
Rating: 4.9
Votes: 257
Size Fb2: 1874 kb
Size ePub: 1488 kb
Size Djvu: 1377 kb
Other formats: lit mobi azw mbr


Start by marking Gregorian Chant and the Carolingians as Want to Read .

Start by marking Gregorian Chant and the Carolingians as Want to Read: Want to Read savin. ant to Read. A world-renowned scholar of plainchant, Kenneth Levy has spent a portion of his career investigating the nature and ramifications of this repertory's shift from an oral tradition to the written versions dating to the tenth century.

Gregorian Chant and the CarolingiansThe Italian Neophytes' Chants. Gregorian Chant and the Carolingians. The book challenges two long-held theories: that this chant developed organically over the centuries from Jewish psalm performance and that the Mass "Propers," or texts assigned to each day of the liturgical calendar, only gradually resulted from the labor of many generations. McKinnon argues convincingly that, near the end of the seventh century, the Mass Proper texts and their music derived from a short-term, concerted effort which he has coined "the Advent Project.

Levy portrays the promulgation of an authoritative body of plainchant during the reign of Charlemagne by clearly .

Levy portrays the promulgation of an authoritative body of plainchant during the reign of Charlemagne by clearly plaining between actual evidence, hypotheses, and received ideas. How many traditions of oral chant existed before the tenth century? Among the variations noted in written chant, can one point to a single version as being older or more authentic than the others? What precursors might there have been to the notational system used in all the surviving manuscripts, where the notational system seems fully formed and mature?

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Levy portrays the promulgation of an authoritative body of plainchant during the reign of Charlemagne by differentiating between actual evidence, hypotheses, and received ideas. How many traditions of oral chant existed before the tenth century? Among the variations ted in written chant, can one point to a single version as being older or more authentic that the others?

Speculum 75 (4):958-960 (2000). Similar books and articles. Gregorian Chant on the Gramophone.

Speculum 75 (4):958-960 (2000). This article has no associated abstract. G. M. Durnford - 1931 - New Blackfriars 12 (137):475-479.

Kenneth Levy, music educator. With United States Naval Reserve, 1945-1946. Fellow Medieval Academy American; member American Philosophical Society, American Musicological Society (honorary). Levy portrays the promulgation of an authoritative body of plainchant during the reign of Charlemagne by clearly differentiating between actual evidence, hypotheses, and received ideas. Gregorian Chant and the Carolingians )

Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the.

Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.

Gregorian Chant and the Carolingians. Princeton: Princeton University Press, 1998. Published online by Cambridge University Press: 28 July 2009.

Doing Things beside Domesday Book. The Enduring Attraction of the Pirenne Thesis.

A world-renowned scholar of plainchant, Kenneth Levy has spent a portion of his career investigating the nature and ramifications of this repertory's shift from an oral tradition to the written versions dating to the tenth century. In Gregorian Chant and the Carolingians, which represents the culmination of his research, Levy seeks to change long-held perceptions about certain crucial stages of the evolution and dissemination of the old corpus of plainchant--most notably the assumption that such a large and complex repertory could have become and remained fixed for over a century while still an oral tradition. Levy portrays the promulgation of an authoritative body of plainchant during the reign of Charlemagne by clearly differentiating between actual evidence, hypotheses, and received ideas.

How many traditions of oral chant existed before the tenth century? Among the variations noted in written chant, can one point to a single version as being older or more authentic than the others? What precursors might there have been to the notational system used in all the surviving manuscripts, where the notational system seems fully formed and mature? In answering questions that have long vexed many scholars of Gregorian chant's early history, Levy offers fresh explanations of such topics as the origin of Latin neumes, the shifting relationships between memory and early notations, and the puzzling differences among the first surviving neume-species from the tenth century, which have until now impeded a critical restoration of the Carolingian musical forms.

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