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Download Sounds of the Metropolis: The 19th Century Popular Music Revolution in London, New York, Paris and Vienna fb2, epub

by Derek B. Scott

Download Sounds of the Metropolis: The 19th Century Popular Music Revolution in London, New York, Paris and Vienna fb2, epub

ISBN: 0199891877
Author: Derek B. Scott
Language: English
Publisher: Oxford University Press; 1 edition (December 1, 2011)
Pages: 314
Category: Music
Subcategory: Art
Rating: 4.9
Votes: 667
Size Fb2: 1692 kb
Size ePub: 1321 kb
Size Djvu: 1421 kb
Other formats: rtf doc lrf txt


Derek Scott's book has the potential to change that.

Derek Scott's book has the potential to change that. For anyone who wants to know more about why and how popular music developed-not just the economic and social reasons but also the musical ones, Sounds of the Metropolis will prove an eye-opening read. -Michael V. Pisani, author of Imagining Native America in Music. This is the first book to show just when and where the music-making we call 'popular music' first appeared internationally. An obviously important work that historians of the 19th century should examine closely to understand the critical connection between popular music and the social shifts of modernity. -Journal of Social History.

New Scenes, New Styles in Music. The first half of the book is dedicated to presenting the social, economic, and aesthetic milieu of these growing metropolitan centers. Derek Scott’s study of the emergence of a popular style of music in European cities during the last half of the nineteenth century is a fine example of the new musicology.

The phrase popular music revolution may instantly bring to mind such twentieth-century musical movements as jazz and rock n roll.

The words "popular music revolution" may instantly bring to mind jazz of the 1920s or rock 'n' roll of the 1950s, but this . By the end of the 19th century, popular music had its own characteristic techniques, forms, and devices

The words "popular music revolution" may instantly bring to mind jazz of the 1920s or rock 'n' roll of the 1950s, but this book argues that the first popular music revolution occurred in the 19th century. This was the period when popular styles first began to assert their independence and distinct values. By the end of the 19th century, popular music had its own characteristic techniques, forms, and devices. The book argues that "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style.

Дерек - главный эксперт по раннему этапу развития поп-музыки, написал яркую книгу "Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris, and Vienna". Sometimes we skype - Derek Scott, an ambitious & courageous excavator of the 19th century Pop Music in London & New York, as well as professor of critical musicology at the University of Leeds, - is getting ready for Velonotte Musica ride on the upcoming Saturday night.

Popular Music and Society. Rubinfeld, M. (2010) Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris, and Vienna. In: Popular Music and Society, Vol. 33, No. 1, pp. 122-123.

The words popular music revolution may instantly bring to mind jazz of the 1920s or rock 'n' roll of the .

The words popular music revolution may instantly bring to mind jazz of the 1920s or rock 'n' roll of the 1950s, but this book argues that the first popular music revolution occurred in the 19th century. The book argues that popular refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style.

Scott, Derek B. Publication, Distribution, et. New York. Oxford University Press, (c)2008. The administration of the site is not responsible for the content of the site. The data of catalog based on open source database. All rights are reserved by their owners. Download book Sounds of the metropolis : the Nineteenth-century popular music revolution in London, New York, Paris, and Vienna, Derek B. Scott.

The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds of the Metropolis breaks new ground in the study of music, cultural sociology, and history.

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