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by Michael Largey

Download Vodou Nation: Haitian Art Music and Cultural Nationalism (Chicago Studies in Ethnomusicology) fb2, epub

ISBN: 0226468631
Author: Michael Largey
Language: English
Publisher: University of Chicago Press (May 1, 2006)
Pages: 256
Category: Music
Subcategory: Art
Rating: 4.7
Votes: 496
Size Fb2: 1445 kb
Size ePub: 1611 kb
Size Djvu: 1922 kb
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Start by marking Vodou Nation: Haitian Art Music and Cultural Nationalism as Want to Read: Want to Read savin. ant to Read.

The structure of Vodou Nation emerges organically from this marriage of experience and theory, and the book is remarkable for its clarity.

Request PDF On May 6, 2010, Jennie SmithPariola and others published Vodou nation: Haitian art music and cultural .

Orientation in Music. As a starting point, one should consider as an accepted cultural advantage those reasonably constant elements that provide a definition of the whole.

While the Haitian musical tradition is probably best known for the Vodou-inspired roots music that helped topple the two-generation Duvalier dictatorship .

While the Haitian musical tradition is probably best known for the Vodou-inspired roots music that helped topple the two-generation Duvalier dictatorship, the nation's troubled history of civil unrest and its tangled relationship with the United States is more intensely experienced through its art music, which combines French and German elements of classical music with Haiti's indigenous folk music.

Michael Largey’s Vodou Nation offers a nuanced history and revealing interpretation of the vital role of Haitian composers in constructing national ideology for both domestic and foreign audiences

Michael Largey’s Vodou Nation offers a nuanced history and revealing interpretation of the vital role of Haitian composers in constructing national ideology for both domestic and foreign audiences. Largey at once sets forth the important role of compositional activism, explores the ethnographic processes through which the music is constituted, and narrates the emerging politics of Haitian art music. This groundbreaking book stands to make an important contribution to multiple fields well beyond the boundaries of musical scholarship

Music and Cultural Nationalism, Michael Largey is published by University of Chicago Press.

The book Vodou Nation: Haitian Art Music and Cultural Nationalism, Michael Largey is published by University of Chicago Press.

Haitian Art Music and Cultural Nationalism. Haitian Art Music and Cultural Nationalism.

Vodou Nation examines art music by Haitian and African American composers who were inspired by Haiti’s . Chicago Studies in Ethnomusicology. University of Chicago Press.

Vodou Nation examines art music by Haitian and African American composers who were inspired by Haiti’s history as a nation created by slave revolt. Around the time of the United States’s occupation of Haiti in 1915, African American composers began to incorporate Vodou-inspired musical idioms to showcase black artistry and protest white oppression.

Ethnomusicology Music and Computer Science Music Education Music History Music Librarianship Music Therapy Popular Music Al. Zdrálek, Vít (2012) Recenze: Michael Largey: "Vodou Nation.

Ethnomusicology Music and Computer Science Music Education Music History Music Librarianship Music Therapy Popular Music All. Contribute. Haitian Art Music and Cultural Nationalism". In: Hudebni Veda, Vol. 49, No. 4, pp. 420-424. View it in the Music Periodicals Database.

Michael Largey, Vodou Nation: Haitian Art Music and Cultural Nationalism (Chicago: University of Chicago Press . John Storm Roberts, Latin Jazz: The First of the Fusions, 1880s to Today (New York: Schirmer Books, 1999).

Michael Largey, Vodou Nation: Haitian Art Music and Cultural Nationalism (Chicago: University of Chicago Press, 2006), 36 and 4. oogle Scholar. 13. Leon Pamphile, Haitians and African Americans: A Heritage of Tragedy and Hope (Gainesville: University Press of Florida, 2001), 11. 15. Matthew J. Smith, Red and Black in Haiti: Radicalism, Conflict, and Political Change, 1934–1957 (Chapel Hill: University of North Carolina Press, 2009), 6.

While the Haitian musical tradition is probably best known for the Vodou-inspired roots music that helped topple the two-generation Duvalier dictatorship, the nation’s troubled history of civil unrest and its tangled relationship with the United States is more intensely experienced through its art music, which combines French and German elements of classical music with Haiti's indigenous folk music. Vodou Nation examines art music by Haitian and African American composers who were inspired by Haiti’s history as a nation created by slave revolt. Around the time of the United States’s occupation of Haiti in 1915, African American composers began to incorporate Vodou-inspired musical idioms to showcase black artistry and protest white oppression. Together with Haitian musicians, these composers helped create what Michael Largey calls the “Vodou Nation,” an ideal vision of Haiti that championed its African-based culture as a bulwark against America’s imperialism. Highlighting the contributions of many Haitian and African American composers who wrote music that brought rhythms and melodies of the Vodou ceremony to local and international audiences, Vodou Nation sheds light on a black cosmopolitan musical tradition that was deeply rooted in Haitian culture and politics.

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