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by Bennett Zon

Download Representing Non-Western Music in Nineteenth-Century Britain (Eastman Studies in Music) fb2, epub

ISBN: 1580462596
Author: Bennett Zon
Language: English
Publisher: University of Rochester Press (December 2, 2007)
Pages: 366
Category: Music
Subcategory: Art
Rating: 4.6
Votes: 812
Size Fb2: 1138 kb
Size ePub: 1245 kb
Size Djvu: 1655 kb
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Bennett Zon's Representing Non-Western Music in Nineteenth-Century Britain is the first book to situate .

Bennett Zon's Representing Non-Western Music in Nineteenth-Century Britain is the first book to situate non-Western music within the intellectual culture of nineteenth-century Britain. It covers many crucial issues - race, orientalism, otherness, evolution - and explores the influence of important anthropological theories on the perception of non-Western music. Representing Non-Western Music discusses such theories as noble simplicity, monogenism and polygenism, the comparative method, degenerationism, and developmentalism.

Bennett Zon's Representing Non-Western Music in Nineteenth-Century Britain is the first book to situate .

Representing Non-Western Music in Nineteenth-Century Britain (Eastman Studies in Music). Bennett Zon. Download (pdf, . 8 Mb) Donate Read. Epub FB2 mobi txt RTF. Converted file can differ from the original. If possible, download the file in its original format.

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19 See Bennett Zon, Representing Non-Western Music in Nineteenth-Century Britain (Rochester NY: University of Rochester Press, 2007), pp. 119-128. 20 Henry Chorley, The National Music of the World (London: William Reeves, 1880/1911, 3rd e., p. 38. - 51 - Bennett Zon savage people ;21 The Ancient Hymn in honour of the Ancestors is a tune in the midst of chaotic handfuls of notes. 22 Oriental music was not universally deprecated, however

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Non-profit organisation. Send us your abstracts :) 12th Music in Nineteenth-Century Britain Conference 2019

Non-profit organisation. Victorian Interdisciplinary Studies Association of the Western . Transforming 19th-Century HIP. Education. Send us your abstracts :) 12th Music in Nineteenth-Century Britain Conference 2019. The twelfth Music in Nineteenth-Century Britain conference will take place at Canterbury Christ Church University from 3 to 5 July 2019. The Programme Committee invites proposals for presentations as follows

Bennett Zon's Representing Non-Western Music in Nineteenth-Century Britain is the first book to situate non-Western music within .

Bennett Zon's Representing Non-Western Music in Nineteenth-Century Britain is the first book to situate non-Western music within the intellectual culture of nineteenth-century Britain. It covers many crucial issues -- race, orientalism, otherness, evolution -- and explores the influence of important anthropological theories on the perception of non-Western music. The book also considers a wide range of other writings of the period, from psychology and travel literature to musicology and theories of musical transcription, and it reflects on the historically problematic term "ethnomusicology." Representing Non-Western Music discusses such theories as noble simplicity, monogenism and polygenism, the comparative method, degenerationism, and developmentalism. Zon looks at the effect of evolutionism on the musical press, general music histories, and histories of national music. He also treats the work of Charles Samuel Myers, the first Britain to record non-Western music in the field, and explores how A. H. Fox Strangways used contemporary translation theory as an analogy for transcription in The Music of Hindostan (1914) to show that individuality can be retained by embracing foreign elements rather than adapting them to Western musical style. Bennett Zon is Reader in Music and Fellow of the Institute of Advanced Study, Durham University UK and author of Music and Metaphor in Nineteenth-Century British Musicology (Ashgate, 2000).

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