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by Valerie Walden

Download One Hundred Years of Violoncello: A History of Technique and Performance Practice, 1740-1840 (Cambridge Musical Texts and Monographs) fb2, epub

ISBN: 0521607612
Author: Valerie Walden
Language: English
Publisher: Cambridge University Press (August 19, 2004)
Pages: 328
Category: Music
Subcategory: Art
Rating: 4.5
Votes: 424
Size Fb2: 1454 kb
Size ePub: 1546 kb
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Series: Cambridge Musical Texts and Monographs.

The first book to address the full range of performance issues for the violoncello from the Baroque to the early Romantic period. Richly illustrated with over 300 music examples, plates and figures, this book provides playing instructions which can easily be applied by modern players to their own performance of period music. Series: Cambridge Musical Texts and Monographs.

Valerie Waiden Cambridge Musical Texts and Monographs.

One Hundred Years of Violoncello: A History of Technique and Performance Practice, 1740-1840. Cambridge Musical Texts and Monographs. Cambridge: Cambridge University Press, 1998. xv, 311 pp. ISBN 0-521-55449-7 (hardcover). The hundred years from 1740 to 1840 coincide with the cello's rise to the status of a solo instrument. Tliey are further defined by the publication of Michel Corrette's Méthode théorique et pratique in 1741 and the death of Bernhard Romberg, founder of the Dresden school, in 1841.

A History of Technique and Performance Practice, 1740-1840, by Valerie Walden (Cambridge Musical Texts and .

A History of Technique and Performance Practice, 1740-1840, by Valerie Walden (Cambridge Musical Texts and Monographs). Russell, T. (1999) One Hundred Years of Violoncello: A History of Technique and Performance Practice, 1740-1840, by Valerie Walden (Cambridge Musical Texts and Monographs). In: Notes, Vol. 55, No. 4, pp. 907-909.

Start by marking One Hundred Years of Violoncello: A History of. .Paperback, 328 pages. Published August 19th 2004 by Cambridge University Press.

Start by marking One Hundred Years of Violoncello: A History of Technique and Performance Practice, as Want to Read: Want to Read savin. ant to Read. This is the first book to address the full range of performance issues for the cello from the Baroque to the early Romantic period. The development of playing techniques and stylistic transitions are traced regionally through a comparison of Italian, French, German, English, and East European performance traits. january cellobello staff pick: "A very scientific book that analyzes what is really going on when we play the cello.

One Hundred Years of Violoncello: A History of Technique and Performance Practice, 1740-1840 (Cambridge Musical Texts and Monographs)150. 151. The Cambridge Companion to the Cello (Cambridge Companions to Music)151.

Cambridge musical texts and monographs Violoncello Performance Violoncello music 18th century Interpretation (Phrasing, dynamics, etc) History and criticism.

Cambridge musical texts and monographs. Bibliography, etc. Note: Includes bibliographical references (p. 300-305) and index. Rubrics: Violoncello Performance Violoncello music 18th century Interpretation (Phrasing, dynamics, etc) History and criticism Violoncello music 19th century Performance practice (Music) 18th century Performance practice (Music) 19th century Embellishment (Music) Musical accompaniment. Download now One hundred years of violoncello : a history of technique and performance practice, 1740-1840 Valerie Walden. Download PDF book format. Download DOC book format.

Valerie Walden One Hundred Years of Violoncello A History of Technique and Performance Practice, 1740-1840. Berlioz's Orchestration Treatise. Bernard Brauchli The Clavichord. This series continues the aim of Cambridge Musical Texts and Monographs to publish books centred on the history of musical instruments and the history of performance, but broadens the focus to include musical reception in relation to performance and as a reflection of period expectations and practices.

This is the first book to address the full range of performance issues for the .

book by Valerie Walden.

Valerie Walden (11 June 1998). One Hundred Years of Violoncello: A History of Technique and Performance Practice 1740–1840. Cambridge Press, 1998.

Most histories of the piano begin with its invention by Bartolomeo Cristofori in Florence in about 1700: this study . Cambridge Musical Texts and Monographs: One Hundred Years of Violoncello: A History of Technique and Performance Practice, 1740-1840.

Most histories of the piano begin with its invention by Bartolomeo Cristofori in Florence in about 1700: this study begins with the earliest fifteenth- and sixteenth-century manuscript sources and extends over Cristofori's rediscovery of the principle of the hammer action, the early exportation of Florentine pianofortes to prominent European courts, and the building of copies of these instruments in Portugal, Spain.

This is the first book to address the full range of performance issues for the cello from the Baroque to the early Romantic period. The development of playing techniques and stylistic transitions are traced regionally through a comparison of Italian, French, German, English, and East European performance traits. Through a close study of contemporary violoncello methods, music, early instruments, periodicals, diaries, letters and pictures, Walden provides a cohesive overview which examines construction methods for instruments and bows, fingering and bowing techniques, special effects and ornamentation, accompanying skills and the stylistic preferences of the most famous soloists. Richly illustrated with over 300 music examples, plates and figures, this book provides playing instructions which can easily be applied by modern players to their own performance of period music.

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