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by Charles Dempsey

Download Inventing the Renaissance Putto (Bettie Allison Rand Lectures in Art History) fb2, epub

ISBN: 0807826162
Author: Charles Dempsey
Language: English
Publisher: The University of North Carolina Press; 1st Edition edition (June 25, 2001)
Pages: 312
Category: History & Criticism
Subcategory: Art
Rating: 4.2
Votes: 518
Size Fb2: 1857 kb
Size ePub: 1129 kb
Size Djvu: 1414 kb
Other formats: lit lrf lrf docx


The Renaissance: Was it a Thing?

Throughout, Dempsey advances a larger argument about the nature of Italian Renaissance art. Rather than simply reviving classical forms, he says, the art accommodated and fused them within local, vernacular, and modern Italian.

Throughout, Dempsey advances a larger argument about the nature of Italian Renaissance art. Rather than simply reviving classical forms, he says, the art accommodated and fused them within local, vernacular, and modern Italian traditions, both literary and pictorial. Damned Soul (Bernini). Saint Sebastian (Bernini). The Goat Amalthea with the Infant Jupiter and a Faun. Library descriptions.

Drawing inventively on a rich body of scholarship, "Inventing the Renaissance Putto" by Charles Dempsey uses these findings as a point of departure for a fresh and remarkable study. The putto (often portrayed as a mischievous baby) appears frequently in the art and literature of Renaissance Italy. The "spiritelli" embody a minor species of demon, neither good nor bad.

The figure of the putto (often portrayed as a mischievous baby) made frequent appearances in the art and literature of Renaissance Italy. Commonly called spiritelli, or sprites, putti embodied a minor species of demon, in their nature neither good nor bad. They included natural spirits, animal spirits, and the spirits of sight and sound, as well as hobgoblin fantasies, bogeys, and the spirits contained in wine. Among the sensations ascribed to spiritelli were feelings of love, erotic arousal, and startling frights.

Recommend this journal.

Items related to Inventing the Renaissance Putto (Bettie Allison Rand. Charles Dempsey Inventing the Renaissance Putto (Bettie Allison Rand Lectures in Art History). ISBN 13: 9780807826164. Inventing the Renaissance Putto (Bettie Allison Rand Lectures in Art History). After discussing the many manifestations of the putto-spiritello in fifteenth-century Italian art and literature, Charles Dempsey offers parallel interpretations of two works: Botticelli's Mars and Venus, a painting in which infant Satyr-putti appear as the panic-inducing spirits of the nightmare, and Politian's Stanze, a poem in which masked cupids appear to the hero in a deceiving dream.

Inventing the Renaissance Putto book. The figure of the putto (often portrayed as a mischievous. 0807826162 (ISBN13: 9780807826164).

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Bettie Allison Rand Lectures in Art History. Drawing inventively on a rich body of scholarship, "Inventing the Renaissance Putto" by Charles Dempsey uses these findings as a point of departure for a fresh and remarkable study

Bettie Allison Rand Lectures in Art History. By (author) Charles Dempsey. Drawing inventively on a rich body of scholarship, "Inventing the Renaissance Putto" by Charles Dempsey uses these findings as a point of departure for a fresh and remarkable study. Hellmut Wohl, author of "The Aesthetics of Italian Renaissance Art: A Reconsideration of Style") show more. About Charles Dempsey. Charles Dempsey is Professor of Italian Renaissance and Baroque Art at The Johns Hopkins University, USA. show more.

Find nearly any book by Charles Dempsey. Get the best deal by comparing prices from over 100,000 booksellers

Find nearly any book by Charles Dempsey. Get the best deal by comparing prices from over 100,000 booksellers. by Elizabeth Cropper, Charles Dempsey.

The figure of the putto (often portrayed as a mischievous baby) made frequent appearances in the art and literature of Renaissance Italy. Commonly called spiritelli, or sprites, putti embodied a minor species of demon, in their nature neither good nor bad. They included natural spirits, animal spirits, and the spirits of sight and sound, as well as hobgoblin fantasies, bogeys, and the spirits contained in wine. Among the sensations ascribed to spiritelli were feelings of love, erotic arousal, and startling frights. After discussing the many manifestations of the putto-spiritello in fifteenth-century Italian art and literature, Charles Dempsey offers parallel interpretations of two works: Botticelli's Mars and Venus, a painting in which infant Satyr-putti appear as the panic-inducing spirits of the nightmare, and Politian's Stanze, a poem in which masked cupids appear to the hero in a deceiving dream. He concludes with an examination of the function of such masks in the poetry and public masquerades sponsored by Lorenzo de'Medici and in Michelangelo's scheme for the decoration of the Medici Chapel.Throughout, Dempsey advances a larger argument about the nature of Italian Renaissance art. Rather than simply reviving classical forms, he says, the art accommodated and fused them within local, vernacular, and modern Italian traditions, both literary and pictorial.

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