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Download Masks of Wedlock: Studies in Seventeenth-century Dutch Marriage Portraiture (Studies in the fine arts) fb2, epub

by Mr. David R. Smith

Download Masks of Wedlock: Studies in Seventeenth-century Dutch Marriage Portraiture (Studies in the fine arts) fb2, epub

ISBN: 0835713539
Author: Mr. David R. Smith
Language: English
Publisher: UMI Research Press; First Edition edition (February 1983)
Pages: 238
Category: History & Criticism
Subcategory: Art
Rating: 4.9
Votes: 425
Size Fb2: 1518 kb
Size ePub: 1648 kb
Size Djvu: 1554 kb
Other formats: txt lrf docx txt


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National Gallery of Art Kress Foundation Studies in the History of European Art. London, 1970–1974: 1(1970) . London, 1970–1974: 1(1970):190-191, fig. 203; 2(1970):fig.

Dutch costume in paintings by Dutch artists : a study of women's clothing . Masks of wedlock : seventeenth-century Dutch marriage portraiture, David Ross Smith, p. 38, 96, 153-155, 158 (fig.

Dutch costume in paintings by Dutch artists : a study of women's clothing and art from 1600 to 1650, Dana L. Chapman, p. 32-33 (fig. 3). Frans Hals, Pieter Biesboer, Seymour Slive, p. 162-165, ca. r. The embarrassment of riches : an interpretation of Dutch culture in the golden age, Simon Schama, p. 414, 430. Portretten van echt en trouw : huwelijk en gezin in de Nederlandse kunst van de zeventiende eeuw, Eddy de Jongh, p. 124-130, ca. 64).

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Smith, David, Masks of Wedlock: Dutch Marriage Pair Portraiture, Ann Arbor, 1982, Steadman, John . "The Iconographical Background to Quarles' 'Flesh' and 'Spirit'", Art Bulletin, 39, 3, Sept.

He combined twentieth-century Lux advertisements showing children in the snow with seventeenth-century Dutch genre painting.

One good example is the anonymous Portrait of a Family, 1627, Rijksmuseum, Amsterdam (on loan to the Rijksmuseum Het Catharijneconvent, Utrecht). He combined twentieth-century Lux advertisements showing children in the snow with seventeenth-century Dutch genre painting. At first sight, he defended a highly symbolic interpretation: The bubble, then, was a perfect symbol for childhood as the Dutch saw it: an image that reflected both levity and gravity, that floated like childish reveries and popped as childhood itself had to end.

viii Preface 6. See, for example, Freedberg, The Power of Images: Studies in the History and Theory; Kapferer, e. Images of Power and the Power of Images: Control, Ownership and Public Space, 1–8; For a discussion of non-verbal modes of communication, see Molyneaux, e. The Cultural Life of Images: Visual Representation in Archaeology, 1–9.

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Kathryn W. Finkelstein, . n. One of Choice's Outstanding Academic Titles for 1991. Chapman established a coherence in Rembrandt's self-portraiture by scrupulous attention to detail, fine command of visual and documentary material and careful argument. Her text contains many rewards for the attentive reader.

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