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by Sara F. Matthews-Grieco

Download Erotic Cultures of Renaissance Italy (Visual Culture in Early Modernity) fb2, epub

ISBN: 0754662144
Author: Sara F. Matthews-Grieco
Language: English
Publisher: Routledge; 1 edition (May 28, 2010)
Pages: 330
Category: History & Criticism
Subcategory: Art
Rating: 4.4
Votes: 634
Size Fb2: 1108 kb
Size ePub: 1753 kb
Size Djvu: 1304 kb
Other formats: rtf docx mbr lit


Erotic Cultures of Renais. has been added to your Cart. Sara F. Matthews-Grieco is Professor of History and Co-ordinator of Women's & Gender Studies at Syracuse University in Florence, Italy.

Erotic Cultures of Renais. Series: Visual Culture in Early Modernity.

Start by marking Erotic Cultures of Renaissance Italy as Want to Read . Other books in the series. Visual Culture in Early Modernity (1 - 10 of 40 books). Books by Sara F. Matthews-Grieco.

Start by marking Erotic Cultures of Renaissance Italy as Want to Read: Want to Read savin. ant to Read. Lists with This Book. The Scientist Looked And Felt Like A System Of Pulleys And Levers.

Sara F. How we measure 'reads'. Matthews Grieco, Dr. Allison Levy. Using innovative methods of inquiry and interdisciplinary analytical tools, contributors explore a little-known but pervasive erotic culture in which sexually explicit artefacts, games and gestures were considered essential to a number of rituals and social occasions. Matthews-Grieco is Professor of History and Co-ordinator of. . Visual Culture in Early Modernity. A forum for the critical inquiry of the visual arts in the early modern world, Visual Culture in Early Modernity promotes new models of inquiry and new narratives of early modern art and its history. We welcome proposals for both monographs and essay collections that consider the cultural production and reception of images and objects.

Visual Culture in Early Modernity.

During the early modern period, visual imagery was put to ever new uses as many disciplines adopted visual criteria for testing truth claims . Visual Culture in Early Modernity updated their profile picture.

During the early modern period, visual imagery was put to ever new uses as many disciplines adopted visual criteria for testing truth claims, representing knowledge, or conveying information. Religious propagandists, political writers, satirists. uring the early modern period, visual imagery was put to ever new uses as many disciplines adopted visual criteria for testing truth claims, representing knowledge, or conveying information.

Author: Sara F. At the same time, they demonstrate how a burgeoning market for erotica, along with a cultural tradition of allusion and innuendo, played an increasingly important role in the Italian peninsula between the fifteenth and early seventeenth centuries.

After all naturalismby which I mean the depiction of people and things that appear more or less as the eye sees them in nature is the most generally distinctive feature of Renaissance art that distinguishes it from the relatively more abstract art of the preceding Medieval period.

Sara F Matthews-Grieco, Syracuse University, Syracuse University in Florence . Publication Name: Erotic Cultures of Renaissance Italy.

Sara F Matthews-Grieco, Syracuse University, Syracuse University in Florence Department, Department Member. Studies History, Gender, and Women's Studies.

Concentrating largely on the 'middle ranks' of society in Renaissance Italy - artisans, merchants, and professionals such as bankers and lawyers - this book focuses on new social subjects, new documents and unusual objects. Using innovative methods of inquiry and interdisciplinary analytical tools, contributors explore a little-known but pervasive erotic culture in which sexually explicit artefacts, games and gestures were considered essential to a number of rituals and social occasions. At the same time, they demonstrate how a burgeoning market for erotica, along with a cultural tradition of allusion and innuendo, played an increasingly important role in the Italian peninsula between the fifteenth and early seventeenth centuries. This volume fills some pervasive lacunae in both Renaissance studies and the history of sexuality through a series of critical engagements with material culture and social custom. It reflects recent scholarly interest in interdisciplinary areas such as the material Renaissance, visual communications, urban sociability in the domestic context, and court records regarding marital disputes.

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