has been added to your Cart. Scott Minick has lectured extensively in design history. He maintains his own consulting firm in Hong Kong, Minick Jiao Design.

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Illustration and book art with a literary bent. Focus on international illustrated books and Surrealism. Graphic Design Pattern Modern Graphic Design Typographie Fonts Clean Design Type Design Logo Design Japan Logo Chinese Typography Typographic Design. A collection of chinese posters taken from Shanghai’s golden age. It’s interesting to see how chinese characters give a whole new face to Art Nouveau or Bauhaus styled posters.

From posters and advertisements to book covers and magazines, this volume presents a dazzling paply of graphics, brilliantly uncovered by the authors from long-forgotten sources, mostly in China itself, after surviving innumerable upheavals: natural catastrophes, war and revolution. Beginning with the basic traditions of Chinese graphics, the authors show how the writer and artist Lu Xun became the centre of cultural revival in the new China.

This book is a broad overview organized chronologically and by school of design (including a short preface on pre-20th century Chinese artistic and calligraphic traditions). Each section gets a couple pages' worth of text and plenty of pictorial examples (often in full color). Being new to Chinese history, this book also serves to illustrate how artistic styles are an interesting lens through which to view China's social and political changes; in particular, the co Does what it says on the tin!

We see Art Deco making its mark in the Shanghai Style, and the birth of a national design aesthetic, born of Russian Constructivism and Chinas own drive for new technology.

We see Art Deco making its mark in the Shanghai Style, and the birth of a national design aesthetic, born of Russian Constructivism and Chinas own drive for new technology.

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Scott Minick has lectured extensively in design history. Jiao Ping taught at the Shanghai University College of Fine Arts and now lives in Hong Kong.

It’s totally fascinating, contextually and artistically, to see such strong parallels between individual designers in the 1920s and 1930s and, say, the German expressionists. Rare and beautiful work. Illustrator: Zhong-xin

Under such circumstances, the modern Chinese design movement started in the 1930s by the Shanghai designers was not able to keep pace with the international design trends throughout this period.